Making music together: an exploration of amateur and pro-am Grime music production

QR Code

Making music together: an exploration of amateur and pro-am Grime music production

This novel research presents the results of an ethnographic study, which focused upon the production of an EP created by an amateur and a pro-amateur producer. The research presents their production practices across the production workflow, from inception and ideation through to completion. The pape...

Full description

Bibliographic Details
Main Authors:	McGrath, Sean, Chamberlain, Alan, Benford, Steve
Format:	Conference or Workshop Item
Published:	2016
Subjects:	Music; Production; Ethnography; Amateur; Professional; Co-production; Collaboration; HCI Creativity; Innovation; Audio; Digital; Workstation DAW Computer IT CSCW workflow data metadata work studio
Online Access:	https://eprints.nottingham.ac.uk/37501/

Similar Items

"They're all going out to something weird": workflow, legacy and metadata in the music production process
by: McGarry, Glenn, et al.
Published: (2017)

The Grime scene: social media, music, creation and consumption
by: McGrath, Sean, et al.
Published: (2016)

Supporting pro-amateur composers using digital audio workstations
by: Clarke, Anna
Published: (2020)

Searching for music: understanding the discovery, acquisition, processing and organization of music in a domestic setting for design
by: Chamberlain, Alan, et al.
Published: (2016)

An ethnographic exploration of studio production practice
by: McGrath, Sean, et al.
Published: (2016)

"Lost in the noise": DIY amateur music practice in a digital age
by: Murphy, Michaela
Published: (2017)

Studies of modern music production and the methodical uses of metadata
by: McGarry, Glenn
Published: (2020)

Special theme on privacy and the Internet of Things
by: Chamberlain, Alan, et al.
Published: (2018)

Sounding out ethnography and design: developing metadata frameworks for designing personal heritage soundscapes
by: Chamberlain, Alan, et al.
Published: (2018)

Audio technology and mobile human-computer interaction: from space and place, to social media, music, composition and creation
by: Chamberlain, Alan, et al.
Published: (2017)

Interacting with robots as performers and producers of music
by: Chamberlain, Alan, et al.
Published: (2016)

Understanding conversation around technology use in casual-social settings
by: Porcheron, Martin
Published: (2019)

An ethnographic study of crowdwork via Amazon Mechanical Turk in India
by: Gupta, Neha
Published: (2017)

Are the robots coming? Designing with autonomy & control for musical creativity & performance
by: Chamberlain, Alan
Published: (2017)

Ways of walking: understanding walking's implications for the design of handheld technology via a humanistic ethnographic approach
by: Eslambolchilar, Parisa, et al.
Published: (2016)

Designing for exploratory play with a hackable digital musical instrument
by: McPherson, Andrew P., et al.
Published: (2016)

Controlled rectifier using single-phase Matrix converter / Rahimi Baharom
by: Baharom, Rahimi
Published: (2009)

Audio in place: media, mobility & HCI: creating meaning in space
by: Chamberlain, Alan, et al.
Published: (2016)

The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces
by: Chamberlain, Alan, et al.
Published: (2018)

Social music machine: crowdsourcing for composition & creativity
by: Chamberlain, Alan, et al.
Published: (2017)

Understanding mass participatory pervasive computing systems for environmental campaigns
by: Chamberlain, Alan, et al.
Published: (2014)

Transformation of a living territory
by: Shahidan, Mohd Fairuz, et al.
Published: (2012)

Restorative Forest
by: Maulan, Suhardi, et al.
Published: (2011)

Doing it for themselves: the practices of amateur musicians and DIY music networks in a digital age
by: Hoare, Michaela, et al.
Published: (2014)

Pengawalan peralatan elektrik dan keselamatan di sekolah ke arah bercirikan revolusi industri 4.0
by: Rahayu, Nurul Syahirah
Published: (2019)

Listening to the forest and its curators: lessons learnt from a bioacoustic smartphone application deployment
by: Moran, Stuart, et al.
Published: (2014)

Full Metadata Object profiling for flexible geoprocessing workflows
by: Rosser, Julian F., et al.
Published: (2018)

East Ends: race, place and community in the story of the emergence of Grime music
by: Pickering, Joshua Osoro
Published: (2019)

A landscape of design: interaction, interpretation and the development of experimental expressive interfaces
by: Chamberlain, Alan, et al.
Published: (2018)

Issues relating to the low uptake of Networks Of Workstations for commercial applications
by: Dell, Peter
Published: (2000)

Understanding social media and sound: music, meaning and membership, the case of SoundCloud
by: Chamberlain, Alan, et al.
Published: (2015)

An agent on my shoulder: AI, privacy and the application of human-like computing technologies to music creation
by: Chamberlain, Alan, et al.
Published: (2017)

Designing interfaces in public settings
by: Reeves, Stuart
Published: (2009)

Under construction – contemporary opera in the crossroads between new aesthetics, techniques, and technologies
by: Kallionpää, Maria, et al.
Published: (2018)

Earth observation for citizen science validation, or citizen science for earth observation validation? The role of quality assurance of volunteered observations
by: Leibovici, Didier G., et al.
Published: (2017)

The effects of musical fit on consumers' ability to freely recall related products.
by: Yeaoh, Joanne P. S., et al.
Published: (2010)

Hearing the humanities: sonifying Steele’s Shakespeare
by: Emsley, Iain, et al.
Published: (2017)

Services management in component based collaborative workflow processes
by: Pudhota, Leo, et al.
Published: (2006)

Services management in component based collaborative workflow processes
by: Pudhota, Leo, et al.
Published: (2006)

'Take away from the dry sixties style marking': lecturer and student perceptions and experiences of audio feedback
by: Pick, David, et al.
Published: (2011)