^muzicode$: composing and performing musical codes

We present muzicodes, an approach to incorporating machine-readable ‘codes’ into music that allows the performer and/or composer to flexibly define what constitutes a code, and to perform around it. These codes can then act as triggers, for example to control an accompaniment or visuals during a per...

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Bibliographic Details
Main Authors: Greenhalgh, Chris, Benford, Steve, Hazzard, Adrian
Format: Conference or Workshop Item
Published: 2016
Subjects:
Online Access:https://eprints.nottingham.ac.uk/37081/
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author Greenhalgh, Chris
Benford, Steve
Hazzard, Adrian
author_facet Greenhalgh, Chris
Benford, Steve
Hazzard, Adrian
author_sort Greenhalgh, Chris
building Nottingham Research Data Repository
collection Online Access
description We present muzicodes, an approach to incorporating machine-readable ‘codes’ into music that allows the performer and/or composer to flexibly define what constitutes a code, and to perform around it. These codes can then act as triggers, for example to control an accompaniment or visuals during a performance. The codes can form an integral part of the music (composition and/or performance), and may be more or less obviously present. This creates a rich space of playful interaction with a system that recognises and responds to the codes. Our proof of concept implementation works with audio or MIDI as input. Muzicodes are represented textually and regular expressions are used to flexibly define them. We present two contrasting demonstration applications and summarise the findings from two workshops with potential users which highlight opportunities and challenges, especially in relation to specifying and matching codes and playing and performing with the system.
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format Conference or Workshop Item
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publishDate 2016
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spelling nottingham-370812020-05-04T18:18:03Z https://eprints.nottingham.ac.uk/37081/ ^muzicode$: composing and performing musical codes Greenhalgh, Chris Benford, Steve Hazzard, Adrian We present muzicodes, an approach to incorporating machine-readable ‘codes’ into music that allows the performer and/or composer to flexibly define what constitutes a code, and to perform around it. These codes can then act as triggers, for example to control an accompaniment or visuals during a performance. The codes can form an integral part of the music (composition and/or performance), and may be more or less obviously present. This creates a rich space of playful interaction with a system that recognises and responds to the codes. Our proof of concept implementation works with audio or MIDI as input. Muzicodes are represented textually and regular expressions are used to flexibly define them. We present two contrasting demonstration applications and summarise the findings from two workshops with potential users which highlight opportunities and challenges, especially in relation to specifying and matching codes and playing and performing with the system. 2016-10-04 Conference or Workshop Item PeerReviewed Greenhalgh, Chris, Benford, Steve and Hazzard, Adrian (2016) ^muzicode$: composing and performing musical codes. In: Audio Mostly 2016, 4-6 Oct 2016, Norrköping, Sweden. Musical codes Performing Music information retrieval
spellingShingle Musical codes
Performing
Music information retrieval
Greenhalgh, Chris
Benford, Steve
Hazzard, Adrian
^muzicode$: composing and performing musical codes
title ^muzicode$: composing and performing musical codes
title_full ^muzicode$: composing and performing musical codes
title_fullStr ^muzicode$: composing and performing musical codes
title_full_unstemmed ^muzicode$: composing and performing musical codes
title_short ^muzicode$: composing and performing musical codes
title_sort ^muzicode$: composing and performing musical codes
topic Musical codes
Performing
Music information retrieval
url https://eprints.nottingham.ac.uk/37081/