French sinology and Gustave Caillebotte’s Portrait of Henri Cordier, 1883

This presentation examines the competing and sometimes conflicting demands encountered in the study of portraiture and biography. Once revised, the paper will become an article that will make an original contribution to art history in empirical and conceptual ways. Based on research in unpublished a...

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Main Author: Chang, Ting
Format: Conference or Workshop Item
Published: 2016
Online Access:https://eprints.nottingham.ac.uk/36215/
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author Chang, Ting
author_facet Chang, Ting
author_sort Chang, Ting
building Nottingham Research Data Repository
collection Online Access
description This presentation examines the competing and sometimes conflicting demands encountered in the study of portraiture and biography. Once revised, the paper will become an article that will make an original contribution to art history in empirical and conceptual ways. Based on research in unpublished archives I have discovered the nature of the relationship between the artist Caillebotte and the sitter Cordier, a previously unsolved mystery variously noted by commentators on the painting. I will further advance the discussion by moving away from Michael Fried's concept of "absorption," a persistent interpretive model even in an exhibition catalogue on Caillebotte in 2016, to examine other questions. In addition to the problems faced by both art historians and artists between portraiture (life imaging) and biography (life writing), I will examine representations of "Frenchness," and Cordier's intellectual and political work in the broader context of French imperialism in East Asia.
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spelling nottingham-362152020-05-04T17:41:21Z https://eprints.nottingham.ac.uk/36215/ French sinology and Gustave Caillebotte’s Portrait of Henri Cordier, 1883 Chang, Ting This presentation examines the competing and sometimes conflicting demands encountered in the study of portraiture and biography. Once revised, the paper will become an article that will make an original contribution to art history in empirical and conceptual ways. Based on research in unpublished archives I have discovered the nature of the relationship between the artist Caillebotte and the sitter Cordier, a previously unsolved mystery variously noted by commentators on the painting. I will further advance the discussion by moving away from Michael Fried's concept of "absorption," a persistent interpretive model even in an exhibition catalogue on Caillebotte in 2016, to examine other questions. In addition to the problems faced by both art historians and artists between portraiture (life imaging) and biography (life writing), I will examine representations of "Frenchness," and Cordier's intellectual and political work in the broader context of French imperialism in East Asia. 2016-03-17 Conference or Workshop Item NonPeerReviewed Chang, Ting (2016) French sinology and Gustave Caillebotte’s Portrait of Henri Cordier, 1883. In: Work in Progress Seminar, Department of Art History, University College London, paper delivered at UCL on 17 March 2016, UCL, London, UK. (Unpublished)
spellingShingle Chang, Ting
French sinology and Gustave Caillebotte’s Portrait of Henri Cordier, 1883
title French sinology and Gustave Caillebotte’s Portrait of Henri Cordier, 1883
title_full French sinology and Gustave Caillebotte’s Portrait of Henri Cordier, 1883
title_fullStr French sinology and Gustave Caillebotte’s Portrait of Henri Cordier, 1883
title_full_unstemmed French sinology and Gustave Caillebotte’s Portrait of Henri Cordier, 1883
title_short French sinology and Gustave Caillebotte’s Portrait of Henri Cordier, 1883
title_sort french sinology and gustave caillebotte’s portrait of henri cordier, 1883
url https://eprints.nottingham.ac.uk/36215/