"Not an idle spectator": Geoffrey Hill as model reviewer

Geoffrey Hill’s prose has prompted longstanding critical controversy, much of which turns on the perceived difficulty, intransigence and anachronism of his oeuvre as a whole. This paper proposes that new ways to navigate this controversy can be found in Hill’s preoccupation with the exemplary dimens...

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Main Author: Vincent, Bridget
Format: Article
Published: Sage 2014
Online Access:https://eprints.nottingham.ac.uk/35995/
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author Vincent, Bridget
author_facet Vincent, Bridget
author_sort Vincent, Bridget
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description Geoffrey Hill’s prose has prompted longstanding critical controversy, much of which turns on the perceived difficulty, intransigence and anachronism of his oeuvre as a whole. This paper proposes that new ways to navigate this controversy can be found in Hill’s preoccupation with the exemplary dimensions of writing – that is, in his interest in the poet’s capacity to offer examples (positive and negative) to a community of readers. The discussion pays particular attention to the connections Hill’s reviews establish between style and ethical choice and between literary difficulty and democracy; connections which are intertwined with his ethics of exemplarity in fundamental ways. The paper also engages with those dimensions of literary exemple-use which emerge in new or unusual ways in his prose: his presentation of ‘models’ or ideals for the organisation of civil society; his treatment of certain literary works as exemplars or embodiments of philosophical ideas; and his procedural tic of ‘sampling’ regularly for the purpose of chastisement the ‘bad example’ set by some of the works he criticises.
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spelling nottingham-359952020-05-04T16:46:36Z https://eprints.nottingham.ac.uk/35995/ "Not an idle spectator": Geoffrey Hill as model reviewer Vincent, Bridget Geoffrey Hill’s prose has prompted longstanding critical controversy, much of which turns on the perceived difficulty, intransigence and anachronism of his oeuvre as a whole. This paper proposes that new ways to navigate this controversy can be found in Hill’s preoccupation with the exemplary dimensions of writing – that is, in his interest in the poet’s capacity to offer examples (positive and negative) to a community of readers. The discussion pays particular attention to the connections Hill’s reviews establish between style and ethical choice and between literary difficulty and democracy; connections which are intertwined with his ethics of exemplarity in fundamental ways. The paper also engages with those dimensions of literary exemple-use which emerge in new or unusual ways in his prose: his presentation of ‘models’ or ideals for the organisation of civil society; his treatment of certain literary works as exemplars or embodiments of philosophical ideas; and his procedural tic of ‘sampling’ regularly for the purpose of chastisement the ‘bad example’ set by some of the works he criticises. Sage 2014-04-16 Article PeerReviewed Vincent, Bridget (2014) "Not an idle spectator": Geoffrey Hill as model reviewer. Diogenes, 60 (1). pp. 86-96. ISSN 1467-7695 http://dx.doi.org/10.1177/0392192113520095 doi:10.1177/0392192113520095 doi:10.1177/0392192113520095
spellingShingle Vincent, Bridget
"Not an idle spectator": Geoffrey Hill as model reviewer
title "Not an idle spectator": Geoffrey Hill as model reviewer
title_full "Not an idle spectator": Geoffrey Hill as model reviewer
title_fullStr "Not an idle spectator": Geoffrey Hill as model reviewer
title_full_unstemmed "Not an idle spectator": Geoffrey Hill as model reviewer
title_short "Not an idle spectator": Geoffrey Hill as model reviewer
title_sort "not an idle spectator": geoffrey hill as model reviewer
url https://eprints.nottingham.ac.uk/35995/
https://eprints.nottingham.ac.uk/35995/
https://eprints.nottingham.ac.uk/35995/