Federico García Lorca y el cine

This article analyses Federico García Lorca's relationship with cinema, taking into account not only his screenplays but also his incorporation into his drama and poetic works of techniques borrowed from cinema.

Bibliographic Details
Main Author: Roberts, Stephen G.H.
Format: Article
Published: Centre National du Livre 2015
Subjects:
Online Access:https://eprints.nottingham.ac.uk/34705/
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author Roberts, Stephen G.H.
author_facet Roberts, Stephen G.H.
author_sort Roberts, Stephen G.H.
building Nottingham Research Data Repository
collection Online Access
description This article analyses Federico García Lorca's relationship with cinema, taking into account not only his screenplays but also his incorporation into his drama and poetic works of techniques borrowed from cinema.
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institution University of Nottingham Malaysia Campus
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publishDate 2015
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spelling nottingham-347052020-05-04T17:03:27Z https://eprints.nottingham.ac.uk/34705/ Federico García Lorca y el cine Roberts, Stephen G.H. This article analyses Federico García Lorca's relationship with cinema, taking into account not only his screenplays but also his incorporation into his drama and poetic works of techniques borrowed from cinema. Centre National du Livre 2015-04-01 Article PeerReviewed Roberts, Stephen G.H. (2015) Federico García Lorca y el cine. Europe -Paris- Revue Litteraire Mensuelle, 93 (1032). pp. 170-185. ISSN 0014-2751 Lorca cine metáfora metamorfosis
spellingShingle Lorca
cine
metáfora
metamorfosis
Roberts, Stephen G.H.
Federico García Lorca y el cine
title Federico García Lorca y el cine
title_full Federico García Lorca y el cine
title_fullStr Federico García Lorca y el cine
title_full_unstemmed Federico García Lorca y el cine
title_short Federico García Lorca y el cine
title_sort federico garcía lorca y el cine
topic Lorca
cine
metáfora
metamorfosis
url https://eprints.nottingham.ac.uk/34705/