Clowning and tragic clowning: Miguel de Unamuno as a funny writer

The present study considers the role and function that humour has in Unamuno’s intellectual and literary universe. It traces Unamuno’s attitude to humour to his reading of the Spanish character in En torno al casticismo (1895) and to his dialogue with the figure of Don Quixote, as found in Vida de D...

Full description

Bibliographic Details
Main Author: Roberts, Stephen G.H.
Format: Article
Published: Taylor & Francis 2016
Subjects:
Online Access:https://eprints.nottingham.ac.uk/34704/
_version_ 1848794916320182272
author Roberts, Stephen G.H.
author_facet Roberts, Stephen G.H.
author_sort Roberts, Stephen G.H.
building Nottingham Research Data Repository
collection Online Access
description The present study considers the role and function that humour has in Unamuno’s intellectual and literary universe. It traces Unamuno’s attitude to humour to his reading of the Spanish character in En torno al casticismo (1895) and to his dialogue with the figure of Don Quixote, as found in Vida de Don Quijote y Sancho (1905) and Del sentimiento trágico de la vida (1912). Finally, it looks at the theory of humour offered in the novel Niebla and also at the role that humour played in Unamuno’s later political writings, especially those of exile (1924-1930).
first_indexed 2025-11-14T19:23:47Z
format Article
id nottingham-34704
institution University of Nottingham Malaysia Campus
institution_category Local University
last_indexed 2025-11-14T19:23:47Z
publishDate 2016
publisher Taylor & Francis
recordtype eprints
repository_type Digital Repository
spelling nottingham-347042020-05-04T17:41:42Z https://eprints.nottingham.ac.uk/34704/ Clowning and tragic clowning: Miguel de Unamuno as a funny writer Roberts, Stephen G.H. The present study considers the role and function that humour has in Unamuno’s intellectual and literary universe. It traces Unamuno’s attitude to humour to his reading of the Spanish character in En torno al casticismo (1895) and to his dialogue with the figure of Don Quixote, as found in Vida de Don Quijote y Sancho (1905) and Del sentimiento trágico de la vida (1912). Finally, it looks at the theory of humour offered in the novel Niebla and also at the role that humour played in Unamuno’s later political writings, especially those of exile (1924-1930). Taylor & Francis 2016-03-16 Article PeerReviewed Roberts, Stephen G.H. (2016) Clowning and tragic clowning: Miguel de Unamuno as a funny writer. Romance Quarterly, 63 (2). pp. 53-62. ISSN 1940-3216 Humor; Nimbus; Unamuno http://www.tandfonline.com/doi/full/10.1080/08831157.2016.1146014 doi:10.1080/08831157.2016.1146014 doi:10.1080/08831157.2016.1146014
spellingShingle Humor; Nimbus; Unamuno
Roberts, Stephen G.H.
Clowning and tragic clowning: Miguel de Unamuno as a funny writer
title Clowning and tragic clowning: Miguel de Unamuno as a funny writer
title_full Clowning and tragic clowning: Miguel de Unamuno as a funny writer
title_fullStr Clowning and tragic clowning: Miguel de Unamuno as a funny writer
title_full_unstemmed Clowning and tragic clowning: Miguel de Unamuno as a funny writer
title_short Clowning and tragic clowning: Miguel de Unamuno as a funny writer
title_sort clowning and tragic clowning: miguel de unamuno as a funny writer
topic Humor; Nimbus; Unamuno
url https://eprints.nottingham.ac.uk/34704/
https://eprints.nottingham.ac.uk/34704/
https://eprints.nottingham.ac.uk/34704/