Pedro Costa: producing and consuming contemporary art cinema
This thesis examines the work of Portuguese filmmaker Pedro Costa as a paradigm of recent developments in production and consumption practices in contemporary art cinema. With a notable problematic relationship with industrial film production and with a pragmatic approach to distribution, Costa’s wo...
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| Format: | Thesis (University of Nottingham only) |
| Language: | English |
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2016
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| Online Access: | https://eprints.nottingham.ac.uk/33021/ |