Sonifying the Scene: re-framing and manipulating meaning through audio augmentation
Digital locative music technologies are transforming the ways in which we are able to manipulate and re-frame the meaning of architecture, landscape and art. In this note we explore and outline some of the key features that are associated with this. Defining the future possibilities and challenges t...
| Main Authors: | , |
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| Format: | Conference or Workshop Item |
| Published: |
2015
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| Online Access: | https://eprints.nottingham.ac.uk/32858/ |
| _version_ | 1848794504829599744 |
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| author | Chamberlain, Alan Hazzard, Adrian |
| author_facet | Chamberlain, Alan Hazzard, Adrian |
| author_sort | Chamberlain, Alan |
| building | Nottingham Research Data Repository |
| collection | Online Access |
| description | Digital locative music technologies are transforming the ways in which we are able to manipulate and re-frame the meaning of architecture, landscape and art. In this note we explore and outline some of the key features that are associated with this. Defining the future possibilities and challenges that we have identified through our re-search in the area. Our work is supported by examples and critically assesses the relationship between physical and aural presence, examining the manipulation and re-framing of meaning through audio augmentation. “Is Space Audible?” [7]. |
| first_indexed | 2025-11-14T19:17:15Z |
| format | Conference or Workshop Item |
| id | nottingham-32858 |
| institution | University of Nottingham Malaysia Campus |
| institution_category | Local University |
| last_indexed | 2025-11-14T19:17:15Z |
| publishDate | 2015 |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | nottingham-328582020-05-04T17:25:57Z https://eprints.nottingham.ac.uk/32858/ Sonifying the Scene: re-framing and manipulating meaning through audio augmentation Chamberlain, Alan Hazzard, Adrian Digital locative music technologies are transforming the ways in which we are able to manipulate and re-frame the meaning of architecture, landscape and art. In this note we explore and outline some of the key features that are associated with this. Defining the future possibilities and challenges that we have identified through our re-search in the area. Our work is supported by examples and critically assesses the relationship between physical and aural presence, examining the manipulation and re-framing of meaning through audio augmentation. “Is Space Audible?” [7]. 2015-12-22 Conference or Workshop Item PeerReviewed Chamberlain, Alan and Hazzard, Adrian (2015) Sonifying the Scene: re-framing and manipulating meaning through audio augmentation. In: DMRN+10: Digital Music Research Network One-day Workshop 2015, 22 December 2015, Queen Mary University of London. |
| spellingShingle | Chamberlain, Alan Hazzard, Adrian Sonifying the Scene: re-framing and manipulating meaning through audio augmentation |
| title | Sonifying the Scene: re-framing and manipulating meaning through audio augmentation |
| title_full | Sonifying the Scene: re-framing and manipulating meaning through audio augmentation |
| title_fullStr | Sonifying the Scene: re-framing and manipulating meaning through audio augmentation |
| title_full_unstemmed | Sonifying the Scene: re-framing and manipulating meaning through audio augmentation |
| title_short | Sonifying the Scene: re-framing and manipulating meaning through audio augmentation |
| title_sort | sonifying the scene: re-framing and manipulating meaning through audio augmentation |
| url | https://eprints.nottingham.ac.uk/32858/ |