Restor(y)ing meaning: reading Manoel de Oliveira’s Non ou a Vã Glória de Mandar

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Restor(y)ing meaning: reading Manoel de Oliveira’s Non ou a Vã Glória de Mandar

Manoel de Oliveira’s Non ou a Vã Glória de Mandar (1990) is a landmark in Lusophone cinema’s revisitation of the history of Portuguese expansion and colonial conflicts. This article aims at analysing the film’s political import by extrapolating from Jacques Rancière’s meditation on the ‘aesthetic re...

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Bibliographic Details
Main Author:	Gonçalves Miranda, Rui
Format:	Article
Published:	Taylor & Francis 2013
Subjects:	Manoel de Oliveira Portuguese Cinema Colonial Wars Aesthetics and Politics Deconstruction Jacques Rancière Jacques Derrida
Online Access:	https://eprints.nottingham.ac.uk/32092/

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