Whose voices? The fate of Luigi Nono’s 'Voci destroying muros'

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Whose voices? The fate of Luigi Nono’s 'Voci destroying muros'

Luigi Nono's Voci destroying muros for female voices and small orchestra was performed for the first and only time at the Holland Festival in 1970. A setting of texts by female prisoners and factory workers, it marks a sharp stylistic departure from Nono's political music of the 1960s by v...

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Bibliographic Details
Main Author:	Adlington, Robert
Format:	Article
Published:	University of California Press 2016
Subjects:	Luigi Nono; Antonio Gramsci; communism; realism; voice
Online Access:	https://eprints.nottingham.ac.uk/31016/

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