Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art

Reviewing international and indigenous perspectives on the significance of contemporary Chinese art, Paul Gladston argues for the necessity of new theoretical paradigms.

Bibliographic Details
Main Author:	Gladston, Paul
Format:	Article
Published:	Tate 2014
Online Access:	https://eprints.nottingham.ac.uk/30818/

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