Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art
Reviewing international and indigenous perspectives on the significance of contemporary Chinese art, Paul Gladston argues for the necessity of new theoretical paradigms.
| Main Author: | |
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| Format: | Article |
| Published: |
Tate
2014
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| Online Access: | https://eprints.nottingham.ac.uk/30818/ |
| _version_ | 1848794066838355968 |
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| author | Gladston, Paul |
| author_facet | Gladston, Paul |
| author_sort | Gladston, Paul |
| building | Nottingham Research Data Repository |
| collection | Online Access |
| description | Reviewing international and indigenous perspectives on the significance of contemporary Chinese art, Paul Gladston argues for the necessity of new theoretical paradigms. |
| first_indexed | 2025-11-14T19:10:17Z |
| format | Article |
| id | nottingham-30818 |
| institution | University of Nottingham Malaysia Campus |
| institution_category | Local University |
| last_indexed | 2025-11-14T19:10:17Z |
| publishDate | 2014 |
| publisher | Tate |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | nottingham-308182020-05-04T20:16:40Z https://eprints.nottingham.ac.uk/30818/ Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art Gladston, Paul Reviewing international and indigenous perspectives on the significance of contemporary Chinese art, Paul Gladston argues for the necessity of new theoretical paradigms. Tate 2014 Article PeerReviewed Gladston, Paul (2014) Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art. Tate Papers (21). pp. 1-20. ISSN 1753-9854 http://www.tate.org.uk/research/publications/tate-papers/21/somewhere-and-nowhere-between-modernity-and-tradition-towards-a-critique-of-international-and-indigenous-perspectives-on-the-significance-of-contemporary-chinese-art |
| spellingShingle | Gladston, Paul Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art |
| title | Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art |
| title_full | Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art |
| title_fullStr | Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art |
| title_full_unstemmed | Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art |
| title_short | Somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art |
| title_sort | somewhere (and nowhere) between modernity and tradition: towards a critique of international and indigenous perspectives on the significance of contemporary chinese art |
| url | https://eprints.nottingham.ac.uk/30818/ https://eprints.nottingham.ac.uk/30818/ |