A fatal German marriage: the national subtext of Fassbinder's Die Ehe der Maria Braun

The article explores the connections between the development of Maria Braun's marriage and the political and economic conditions which made the economic miracle of the nineteen-fifties possible. Whereas Fassbinder scholarship has tended to seek parallels only between the character of Maria Brau...

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Main Author: Uecker, Matthias
Format: Article
Published: Wiley 2001
Online Access:https://eprints.nottingham.ac.uk/30564/
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author Uecker, Matthias
author_facet Uecker, Matthias
author_sort Uecker, Matthias
building Nottingham Research Data Repository
collection Online Access
description The article explores the connections between the development of Maria Braun's marriage and the political and economic conditions which made the economic miracle of the nineteen-fifties possible. Whereas Fassbinder scholarship has tended to seek parallels only between the character of Maria Braun and general developments in German society, it is argued here that both her marriage and her love affairs need to be included in such an interpretation. The analysis of non-realistic, theatrical or non-diegetic elements in the film's style discovers a subtext which revolves around symbols of national identity and sovereignty and which is directly linked to the development of Maria Braun's marriage. Within this framework, the symbolic function of Maria Braun's lovers and of her husband are re-examined.
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spelling nottingham-305642020-05-04T14:07:02Z https://eprints.nottingham.ac.uk/30564/ A fatal German marriage: the national subtext of Fassbinder's Die Ehe der Maria Braun Uecker, Matthias The article explores the connections between the development of Maria Braun's marriage and the political and economic conditions which made the economic miracle of the nineteen-fifties possible. Whereas Fassbinder scholarship has tended to seek parallels only between the character of Maria Braun and general developments in German society, it is argued here that both her marriage and her love affairs need to be included in such an interpretation. The analysis of non-realistic, theatrical or non-diegetic elements in the film's style discovers a subtext which revolves around symbols of national identity and sovereignty and which is directly linked to the development of Maria Braun's marriage. Within this framework, the symbolic function of Maria Braun's lovers and of her husband are re-examined. Wiley 2001-01-01 Article NonPeerReviewed Uecker, Matthias (2001) A fatal German marriage: the national subtext of Fassbinder's Die Ehe der Maria Braun. German Life and Letters, 54 (1). pp. 45-59. ISSN 0016-8777 http://onlinelibrary.wiley.com/doi/10.1111/1468-0483.00188/abstract doi:10.1111/1468-0483.00188 doi:10.1111/1468-0483.00188
spellingShingle Uecker, Matthias
A fatal German marriage: the national subtext of Fassbinder's Die Ehe der Maria Braun
title A fatal German marriage: the national subtext of Fassbinder's Die Ehe der Maria Braun
title_full A fatal German marriage: the national subtext of Fassbinder's Die Ehe der Maria Braun
title_fullStr A fatal German marriage: the national subtext of Fassbinder's Die Ehe der Maria Braun
title_full_unstemmed A fatal German marriage: the national subtext of Fassbinder's Die Ehe der Maria Braun
title_short A fatal German marriage: the national subtext of Fassbinder's Die Ehe der Maria Braun
title_sort fatal german marriage: the national subtext of fassbinder's die ehe der maria braun
url https://eprints.nottingham.ac.uk/30564/
https://eprints.nottingham.ac.uk/30564/
https://eprints.nottingham.ac.uk/30564/