The practice and poetics of fieldwork: Hugh Cott and the study of camouflage

This paper examines the practice and poetics of the British zoologist Hugh Cott’s fieldwork in order to explore the hybrid nature of developments in biological and military camouflage. Specifically focusing on two fieldtrips conducted in the 1920s to the Amazon and the Zambesi, and by examining how...

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Main Author: Forsyth, Isla
Format: Article
Published: Elsevier 2014
Subjects:
Online Access:https://eprints.nottingham.ac.uk/29901/
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author Forsyth, Isla
author_facet Forsyth, Isla
author_sort Forsyth, Isla
building Nottingham Research Data Repository
collection Online Access
description This paper examines the practice and poetics of the British zoologist Hugh Cott’s fieldwork in order to explore the hybrid nature of developments in biological and military camouflage. Specifically focusing on two fieldtrips conducted in the 1920s to the Amazon and the Zambesi, and by examining how Cott communicated his scientific findings through photography and art this paper reveals that the performance of scientific knowledge production is spatially contingent; born of embodied, creative and demanding experiences and through multiple human and nonhuman engagements. Finally, it examines how this knowledge was transferred and utilised to develop mid-twentieth military camouflage. Thus, this paper considers how the craft and aesthetics of fieldwork shapes how nature is observed, recorded and communicated as scientific knowledge and military technology.
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spelling nottingham-299012020-05-04T20:15:42Z https://eprints.nottingham.ac.uk/29901/ The practice and poetics of fieldwork: Hugh Cott and the study of camouflage Forsyth, Isla This paper examines the practice and poetics of the British zoologist Hugh Cott’s fieldwork in order to explore the hybrid nature of developments in biological and military camouflage. Specifically focusing on two fieldtrips conducted in the 1920s to the Amazon and the Zambesi, and by examining how Cott communicated his scientific findings through photography and art this paper reveals that the performance of scientific knowledge production is spatially contingent; born of embodied, creative and demanding experiences and through multiple human and nonhuman engagements. Finally, it examines how this knowledge was transferred and utilised to develop mid-twentieth military camouflage. Thus, this paper considers how the craft and aesthetics of fieldwork shapes how nature is observed, recorded and communicated as scientific knowledge and military technology. Elsevier 2014-01 Article PeerReviewed Forsyth, Isla (2014) The practice and poetics of fieldwork: Hugh Cott and the study of camouflage. Journal of Historical Geography, 43 . pp. 128-137. ISSN 0305-7488 Fieldwork; Biography; Camouflage; Science; Art; Observation http://www.sciencedirect.com/science/journal/03057488/43 doi:10.1016/j.jhg.2013.10.002 doi:10.1016/j.jhg.2013.10.002
spellingShingle Fieldwork; Biography; Camouflage; Science; Art; Observation
Forsyth, Isla
The practice and poetics of fieldwork: Hugh Cott and the study of camouflage
title The practice and poetics of fieldwork: Hugh Cott and the study of camouflage
title_full The practice and poetics of fieldwork: Hugh Cott and the study of camouflage
title_fullStr The practice and poetics of fieldwork: Hugh Cott and the study of camouflage
title_full_unstemmed The practice and poetics of fieldwork: Hugh Cott and the study of camouflage
title_short The practice and poetics of fieldwork: Hugh Cott and the study of camouflage
title_sort practice and poetics of fieldwork: hugh cott and the study of camouflage
topic Fieldwork; Biography; Camouflage; Science; Art; Observation
url https://eprints.nottingham.ac.uk/29901/
https://eprints.nottingham.ac.uk/29901/
https://eprints.nottingham.ac.uk/29901/