Cartoons and collaboration in wartime China: the mobilization of Chinese cartoonists under Japanese occupation

The work of Chinese cartoonists who published their illustrations in the popular press in occupied China from 1937 to 1945 has largely escaped the attention of scholars of both the occupation itself and the broader field of cartoon history. This article seeks to fill this gap in the literature by an...

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Main Author: Taylor, Jeremy E.
Format: Article
Published: SAGE Publications 2015
Subjects:
Online Access:https://eprints.nottingham.ac.uk/29042/
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author Taylor, Jeremy E.
author_facet Taylor, Jeremy E.
author_sort Taylor, Jeremy E.
building Nottingham Research Data Repository
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description The work of Chinese cartoonists who published their illustrations in the popular press in occupied China from 1937 to 1945 has largely escaped the attention of scholars of both the occupation itself and the broader field of cartoon history. This article seeks to fill this gap in the literature by analyzing how the very nature of the occupation, together with efforts undertaken by collaborationist governments such as that of Wang Jingwei, created a context in which a particular body of artists could continue to draw. In so doing, the article raises questions about the place of “collaborationist” cartoonists in the broader development of art and propaganda in China and about the very nature of collaboration in the Chinese context.
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spelling nottingham-290422020-05-04T17:09:25Z https://eprints.nottingham.ac.uk/29042/ Cartoons and collaboration in wartime China: the mobilization of Chinese cartoonists under Japanese occupation Taylor, Jeremy E. The work of Chinese cartoonists who published their illustrations in the popular press in occupied China from 1937 to 1945 has largely escaped the attention of scholars of both the occupation itself and the broader field of cartoon history. This article seeks to fill this gap in the literature by analyzing how the very nature of the occupation, together with efforts undertaken by collaborationist governments such as that of Wang Jingwei, created a context in which a particular body of artists could continue to draw. In so doing, the article raises questions about the place of “collaborationist” cartoonists in the broader development of art and propaganda in China and about the very nature of collaboration in the Chinese context. SAGE Publications 2015-07-01 Article PeerReviewed Taylor, Jeremy E. (2015) Cartoons and collaboration in wartime China: the mobilization of Chinese cartoonists under Japanese occupation. Modern China, 41 (4). pp. 406-435. ISSN 1552-6836 Cartoon Collaboration Occupation Art Wang Jingwei Second World War http://mcx.sagepub.com/content/41/4/406 doi:10.1177/0097700414538386 doi:10.1177/0097700414538386
spellingShingle Cartoon
Collaboration
Occupation
Art
Wang Jingwei
Second World War
Taylor, Jeremy E.
Cartoons and collaboration in wartime China: the mobilization of Chinese cartoonists under Japanese occupation
title Cartoons and collaboration in wartime China: the mobilization of Chinese cartoonists under Japanese occupation
title_full Cartoons and collaboration in wartime China: the mobilization of Chinese cartoonists under Japanese occupation
title_fullStr Cartoons and collaboration in wartime China: the mobilization of Chinese cartoonists under Japanese occupation
title_full_unstemmed Cartoons and collaboration in wartime China: the mobilization of Chinese cartoonists under Japanese occupation
title_short Cartoons and collaboration in wartime China: the mobilization of Chinese cartoonists under Japanese occupation
title_sort cartoons and collaboration in wartime china: the mobilization of chinese cartoonists under japanese occupation
topic Cartoon
Collaboration
Occupation
Art
Wang Jingwei
Second World War
url https://eprints.nottingham.ac.uk/29042/
https://eprints.nottingham.ac.uk/29042/
https://eprints.nottingham.ac.uk/29042/