John Buchan’s amicable anti-modernism

This article considers the novelist John Buchan’s changing responses to literary modernism in the inter-war period. It argues that although Buchan has generally been taken as a straightforward opponent of modernist writing, careful study of his oeuvre discloses a more complex scenario in which an an...

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Main Author: Waddell, Nathan
Format: Article
Published: Indiana University Press 2012
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Online Access:https://eprints.nottingham.ac.uk/28810/
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author Waddell, Nathan
author_facet Waddell, Nathan
author_sort Waddell, Nathan
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description This article considers the novelist John Buchan’s changing responses to literary modernism in the inter-war period. It argues that although Buchan has generally been taken as a straightforward opponent of modernist writing, careful study of his oeuvre discloses a more complex scenario in which an antagonism to certain modernist 'excesses' is mixed with a qualified attraction to particular modernist innovations. The article’s central assumption is that a key part of Buchan’s worth to the New Modernist Studies lies in his querying — in novelistic as well as in essayistic forms — of the vocabularies now used to elaborate such literary-historical oppositions as high vs. low, for instance, or old vs. new. The article breaks new ground by moving beyond familiar Buchan texts — e.g. 'The Thirty-Nine Steps' (1915) — into the less appreciated territory of his novel 'Huntingtower' (1922), his literary criticism and his cultural commentaries.
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spelling nottingham-288102020-05-04T20:22:57Z https://eprints.nottingham.ac.uk/28810/ John Buchan’s amicable anti-modernism Waddell, Nathan This article considers the novelist John Buchan’s changing responses to literary modernism in the inter-war period. It argues that although Buchan has generally been taken as a straightforward opponent of modernist writing, careful study of his oeuvre discloses a more complex scenario in which an antagonism to certain modernist 'excesses' is mixed with a qualified attraction to particular modernist innovations. The article’s central assumption is that a key part of Buchan’s worth to the New Modernist Studies lies in his querying — in novelistic as well as in essayistic forms — of the vocabularies now used to elaborate such literary-historical oppositions as high vs. low, for instance, or old vs. new. The article breaks new ground by moving beyond familiar Buchan texts — e.g. 'The Thirty-Nine Steps' (1915) — into the less appreciated territory of his novel 'Huntingtower' (1922), his literary criticism and his cultural commentaries. Indiana University Press 2012 Article PeerReviewed Waddell, Nathan (2012) John Buchan’s amicable anti-modernism. Journal of Modern Literature, 35 (2). pp. 64-82. ISSN 0022-281X John Buchan; modernism; middlebrow; inter-war; Huntingtower http://www.jstor.org/discover/10.2979/jmodelite.35.2.64?uid=31236&uid=3738032&uid=2132&uid=31234&uid=2&uid=70&uid=3&uid=5910784&uid=67&uid=62&sid=21106374010881 doi:10.2979/jmodelite.35.2.64 doi:10.2979/jmodelite.35.2.64
spellingShingle John Buchan; modernism; middlebrow; inter-war; Huntingtower
Waddell, Nathan
John Buchan’s amicable anti-modernism
title John Buchan’s amicable anti-modernism
title_full John Buchan’s amicable anti-modernism
title_fullStr John Buchan’s amicable anti-modernism
title_full_unstemmed John Buchan’s amicable anti-modernism
title_short John Buchan’s amicable anti-modernism
title_sort john buchan’s amicable anti-modernism
topic John Buchan; modernism; middlebrow; inter-war; Huntingtower
url https://eprints.nottingham.ac.uk/28810/
https://eprints.nottingham.ac.uk/28810/
https://eprints.nottingham.ac.uk/28810/