Sculpting a mobile musical soundtrack

We present an in-the-wild project to design and study a mobile musical soundtrack that enhances the experience of visiting a sculpture park. As with soundtracks for films and games, the goal was to enhance the emotional and narrative aspects of the experience while remaining in the background. We de...

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Main Authors: Hazzard, Adrian, Benford, Steve, Burnett, Gary
Format: Conference or Workshop Item
Published: 2015
Online Access:https://eprints.nottingham.ac.uk/28535/
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author Hazzard, Adrian
Benford, Steve
Burnett, Gary
author_facet Hazzard, Adrian
Benford, Steve
Burnett, Gary
author_sort Hazzard, Adrian
building Nottingham Research Data Repository
collection Online Access
description We present an in-the-wild project to design and study a mobile musical soundtrack that enhances the experience of visiting a sculpture park. As with soundtracks for films and games, the goal was to enhance the emotional and narrative aspects of the experience while remaining in the background. We describe a compositional approach in which we first established a broad musical landscape before treating specific exhibits with detailed musical trajectories. Our study reveals how our soundtrack dramatically shaped visitors’ experiences while they remained largely unaware of its operation. We distil seven experiential factors to be addressed by mobile soundtracks alongside ten compositional guidelines.
first_indexed 2025-11-14T19:02:43Z
format Conference or Workshop Item
id nottingham-28535
institution University of Nottingham Malaysia Campus
institution_category Local University
last_indexed 2025-11-14T19:02:43Z
publishDate 2015
recordtype eprints
repository_type Digital Repository
spelling nottingham-285352020-05-04T20:11:02Z https://eprints.nottingham.ac.uk/28535/ Sculpting a mobile musical soundtrack Hazzard, Adrian Benford, Steve Burnett, Gary We present an in-the-wild project to design and study a mobile musical soundtrack that enhances the experience of visiting a sculpture park. As with soundtracks for films and games, the goal was to enhance the emotional and narrative aspects of the experience while remaining in the background. We describe a compositional approach in which we first established a broad musical landscape before treating specific exhibits with detailed musical trajectories. Our study reveals how our soundtrack dramatically shaped visitors’ experiences while they remained largely unaware of its operation. We distil seven experiential factors to be addressed by mobile soundtracks alongside ten compositional guidelines. 2015 Conference or Workshop Item PeerReviewed Hazzard, Adrian, Benford, Steve and Burnett, Gary (2015) Sculpting a mobile musical soundtrack. In: Proceedings of the 33rd annual ACM conference on Human factors in computing systems, April 18 - 23, 2015, Seoul, Korea. (In Press) http://dx.doi.org/10.1145/2702123.2702236
spellingShingle Hazzard, Adrian
Benford, Steve
Burnett, Gary
Sculpting a mobile musical soundtrack
title Sculpting a mobile musical soundtrack
title_full Sculpting a mobile musical soundtrack
title_fullStr Sculpting a mobile musical soundtrack
title_full_unstemmed Sculpting a mobile musical soundtrack
title_short Sculpting a mobile musical soundtrack
title_sort sculpting a mobile musical soundtrack
url https://eprints.nottingham.ac.uk/28535/
https://eprints.nottingham.ac.uk/28535/