How Stories Get Made Investigating the Narrative Strategies of 'The Sopranos'
'The Sopranos' (HBO, 1999-2007), suggests David Thorburn, is ���¢��������probably the most complex narrative in the history of American television���¢��������. This is a provocative claim which implies not only that the formal narrative construction of 'The So...
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| Format: | Dissertation (University of Nottingham only) |
| Language: | English |
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2008
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| Online Access: | https://eprints.nottingham.ac.uk/22521/ |
| _version_ | 1848792420054990848 |
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| author | Smith, Anthony |
| author_facet | Smith, Anthony |
| author_sort | Smith, Anthony |
| building | Nottingham Research Data Repository |
| collection | Online Access |
| description | 'The Sopranos' (HBO, 1999-2007), suggests David Thorburn, is ���¢��������probably the most complex narrative in the history of American television���¢��������. This is a provocative claim which implies not only that the formal narrative construction of 'The Sopranos' is ���¢��������more complex���¢�������� than the narratives of other programmes, but distinct also. But is this the case? Is the 'Sopranos' narrative form ���¢�������� a product of the premium cable sector ���¢�������� not only distinct from the narratives of network and basic-cable hour-long dramas, but also different from the narratives of other HBO hour-long dramas such as 'Deadwood' (HBO, 2004-2006), 'The Wire' (HBO, 2002-2008) and 'Big Love' (HBO, 2006-)? If this is indeed the case (and this dissertation contends that in some ways it undeniably is), then what is the precise nature of this distinct and complex narrative, and what are the factors within the industrial process of television production which have led to its distinctiveness? This dissertation, by closely examining the narrative strategies utilized by The Sopranos, attempts to address these questions by discovering how Sopranos stories were told and why they were told in this way. |
| first_indexed | 2025-11-14T18:44:07Z |
| format | Dissertation (University of Nottingham only) |
| id | nottingham-22521 |
| institution | University of Nottingham Malaysia Campus |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-14T18:44:07Z |
| publishDate | 2008 |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | nottingham-225212018-02-15T21:21:53Z https://eprints.nottingham.ac.uk/22521/ How Stories Get Made Investigating the Narrative Strategies of 'The Sopranos' Smith, Anthony 'The Sopranos' (HBO, 1999-2007), suggests David Thorburn, is ���¢��������probably the most complex narrative in the history of American television���¢��������. This is a provocative claim which implies not only that the formal narrative construction of 'The Sopranos' is ���¢��������more complex���¢�������� than the narratives of other programmes, but distinct also. But is this the case? Is the 'Sopranos' narrative form ���¢�������� a product of the premium cable sector ���¢�������� not only distinct from the narratives of network and basic-cable hour-long dramas, but also different from the narratives of other HBO hour-long dramas such as 'Deadwood' (HBO, 2004-2006), 'The Wire' (HBO, 2002-2008) and 'Big Love' (HBO, 2006-)? If this is indeed the case (and this dissertation contends that in some ways it undeniably is), then what is the precise nature of this distinct and complex narrative, and what are the factors within the industrial process of television production which have led to its distinctiveness? This dissertation, by closely examining the narrative strategies utilized by The Sopranos, attempts to address these questions by discovering how Sopranos stories were told and why they were told in this way. 2008 Dissertation (University of Nottingham only) NonPeerReviewed application/pdf en https://eprints.nottingham.ac.uk/22521/1/08MAAAXAS3.pdf Smith, Anthony (2008) How Stories Get Made Investigating the Narrative Strategies of 'The Sopranos'. [Dissertation (University of Nottingham only)] (Unpublished) television narrative authorship sopranos HBO |
| spellingShingle | television narrative authorship sopranos HBO Smith, Anthony How Stories Get Made Investigating the Narrative Strategies of 'The Sopranos' |
| title | How Stories Get Made
Investigating the Narrative Strategies of 'The Sopranos' |
| title_full | How Stories Get Made
Investigating the Narrative Strategies of 'The Sopranos' |
| title_fullStr | How Stories Get Made
Investigating the Narrative Strategies of 'The Sopranos' |
| title_full_unstemmed | How Stories Get Made
Investigating the Narrative Strategies of 'The Sopranos' |
| title_short | How Stories Get Made
Investigating the Narrative Strategies of 'The Sopranos' |
| title_sort | how stories get made
investigating the narrative strategies of 'the sopranos' |
| topic | television narrative authorship sopranos HBO |
| url | https://eprints.nottingham.ac.uk/22521/ |