Waxing into words: Virginia Woolf and the Westminster Abbey funeral effigies

This articles derives its methodology from an analysis of the figures in the historical collection of royal funeral effigies in Westminster Abbey, London. As historical representations these resist categorisation: are they to be read as human and profane, or idealized and sacred; are they authorized...

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Main Author: Kore Schroder, Leena
Format: Article
Published: Rohnert Park, Calif 2013
Online Access:https://eprints.nottingham.ac.uk/2200/
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author Kore Schroder, Leena
author_facet Kore Schroder, Leena
author_sort Kore Schroder, Leena
building Nottingham Research Data Repository
collection Online Access
description This articles derives its methodology from an analysis of the figures in the historical collection of royal funeral effigies in Westminster Abbey, London. As historical representations these resist categorisation: are they to be read as human and profane, or idealized and sacred; are they authorized, or carnivalesque history; are they fiction or fact? These effigies make official history disturbingly strange even as they appeal to us at the level of bodily familiarity. The Abbey wax figures fascinated Virginia Woolf throughout her life and make multiple cameo appearances in her work. The article centres on the historiographical strategies of her 1928 essay, ‘Waxworks at the Abbey’, in order to show how Woolf reconfigures history in ways which anticipate its ultimate embodiment in the character Eliza Clark in the 1941 Between the Acts. With her ‘pearl-hung’ head, ‘shiny satins’ and ‘sixpenny brooches’, Eliza is both everyday shopkeeper and yet another waxwork dummy of Elizabeth I, inhabiting that borderland where what is most ordinary suddenly becomes the uncanny.
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spelling nottingham-22002020-05-04T16:38:47Z https://eprints.nottingham.ac.uk/2200/ Waxing into words: Virginia Woolf and the Westminster Abbey funeral effigies Kore Schroder, Leena This articles derives its methodology from an analysis of the figures in the historical collection of royal funeral effigies in Westminster Abbey, London. As historical representations these resist categorisation: are they to be read as human and profane, or idealized and sacred; are they authorized, or carnivalesque history; are they fiction or fact? These effigies make official history disturbingly strange even as they appeal to us at the level of bodily familiarity. The Abbey wax figures fascinated Virginia Woolf throughout her life and make multiple cameo appearances in her work. The article centres on the historiographical strategies of her 1928 essay, ‘Waxworks at the Abbey’, in order to show how Woolf reconfigures history in ways which anticipate its ultimate embodiment in the character Eliza Clark in the 1941 Between the Acts. With her ‘pearl-hung’ head, ‘shiny satins’ and ‘sixpenny brooches’, Eliza is both everyday shopkeeper and yet another waxwork dummy of Elizabeth I, inhabiting that borderland where what is most ordinary suddenly becomes the uncanny. Rohnert Park, Calif 2013-09-23 Article PeerReviewed Kore Schroder, Leena (2013) Waxing into words: Virginia Woolf and the Westminster Abbey funeral effigies. Virginia Woolf Miscellany, 85 (Sp . ISSN 0736-251X (In Press) http://home.southernct.edu/~neverowv1/VWM_Online.html
spellingShingle Kore Schroder, Leena
Waxing into words: Virginia Woolf and the Westminster Abbey funeral effigies
title Waxing into words: Virginia Woolf and the Westminster Abbey funeral effigies
title_full Waxing into words: Virginia Woolf and the Westminster Abbey funeral effigies
title_fullStr Waxing into words: Virginia Woolf and the Westminster Abbey funeral effigies
title_full_unstemmed Waxing into words: Virginia Woolf and the Westminster Abbey funeral effigies
title_short Waxing into words: Virginia Woolf and the Westminster Abbey funeral effigies
title_sort waxing into words: virginia woolf and the westminster abbey funeral effigies
url https://eprints.nottingham.ac.uk/2200/
https://eprints.nottingham.ac.uk/2200/