Animal magic: shape-shifting bodies in Lotte Reiniger's Die Abenteuer des Prinzen Achmed

Lotte Reiniger’s 1926 feature-length silhouette animation Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed) includes a number of striking examples of animal bodies, ranging from composites, machine-animals and monsters to a dramatic sequence of animal transformations performed by a...

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Main Author: Palfreyman, Rachel
Format: Monograph
Published: University of Nottingham 2013
Online Access:https://eprints.nottingham.ac.uk/2178/
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author Palfreyman, Rachel
author_facet Palfreyman, Rachel
author_sort Palfreyman, Rachel
building Nottingham Research Data Repository
collection Online Access
description Lotte Reiniger’s 1926 feature-length silhouette animation Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed) includes a number of striking examples of animal bodies, ranging from composites, machine-animals and monsters to a dramatic sequence of animal transformations performed by a duelling witch and sorcerer. Reading Reiniger’s magical animal bodies with Gilles Deleuze and Félix Guattari’s notion of 'becoming-animal' and with Rosi Braidotti’s feminist philosophy of metamorphosis, this working paper argues that Reiniger’s fairy tale exploration of animal bodies is grounded in an instinctive affinity with philosophical notions of transformation and becoming. It is thus insufficient to characterize her work as lacking political relevance to the historical reality of the Weimar Republic. Reading Reiniger’s film with a materialist philosophy of becoming reveals a broader conceptual and political challenge to viewers to rethink the nature of the body as not a single fixed essence, but as a fluid, metamorphosing multiplicity.
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publishDate 2013
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spelling nottingham-21782020-05-04T20:20:46Z https://eprints.nottingham.ac.uk/2178/ Animal magic: shape-shifting bodies in Lotte Reiniger's Die Abenteuer des Prinzen Achmed Palfreyman, Rachel Lotte Reiniger’s 1926 feature-length silhouette animation Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed) includes a number of striking examples of animal bodies, ranging from composites, machine-animals and monsters to a dramatic sequence of animal transformations performed by a duelling witch and sorcerer. Reading Reiniger’s magical animal bodies with Gilles Deleuze and Félix Guattari’s notion of 'becoming-animal' and with Rosi Braidotti’s feminist philosophy of metamorphosis, this working paper argues that Reiniger’s fairy tale exploration of animal bodies is grounded in an instinctive affinity with philosophical notions of transformation and becoming. It is thus insufficient to characterize her work as lacking political relevance to the historical reality of the Weimar Republic. Reading Reiniger’s film with a materialist philosophy of becoming reveals a broader conceptual and political challenge to viewers to rethink the nature of the body as not a single fixed essence, but as a fluid, metamorphosing multiplicity. University of Nottingham 2013 Monograph NonPeerReviewed Palfreyman, Rachel (2013) Animal magic: shape-shifting bodies in Lotte Reiniger's Die Abenteuer des Prinzen Achmed. Working Paper. University of Nottingham, Nottingham. (Unpublished)
spellingShingle Palfreyman, Rachel
Animal magic: shape-shifting bodies in Lotte Reiniger's Die Abenteuer des Prinzen Achmed
title Animal magic: shape-shifting bodies in Lotte Reiniger's Die Abenteuer des Prinzen Achmed
title_full Animal magic: shape-shifting bodies in Lotte Reiniger's Die Abenteuer des Prinzen Achmed
title_fullStr Animal magic: shape-shifting bodies in Lotte Reiniger's Die Abenteuer des Prinzen Achmed
title_full_unstemmed Animal magic: shape-shifting bodies in Lotte Reiniger's Die Abenteuer des Prinzen Achmed
title_short Animal magic: shape-shifting bodies in Lotte Reiniger's Die Abenteuer des Prinzen Achmed
title_sort animal magic: shape-shifting bodies in lotte reiniger's die abenteuer des prinzen achmed
url https://eprints.nottingham.ac.uk/2178/