Techno-utopianism and the Orient in Russian revolutionary culture

The magnitude of the hopes pinned on technology in early twentieth-century Russia was directly proportional to its relative backwardness in this area. The nation saw itself on the brink of an historic clash between the age-old ways of the Slavic peasant and the advances of the industrialized West. I...

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Main Author: Hellebust, Rolf
Format: Other
Published: University of Nottingham 2013
Online Access:https://eprints.nottingham.ac.uk/2176/
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author Hellebust, Rolf
author_facet Hellebust, Rolf
author_sort Hellebust, Rolf
building Nottingham Research Data Repository
collection Online Access
description The magnitude of the hopes pinned on technology in early twentieth-century Russia was directly proportional to its relative backwardness in this area. The nation saw itself on the brink of an historic clash between the age-old ways of the Slavic peasant and the advances of the industrialized West. In Russia the debate over technological progress is intimately involved with the issue of the nation’s relationship with Europe – or in broader terms, the eternal question “East or West?” In the opening decades of the twentieth century this multifarious dichotomy achieves even greater prominence, as evidenced by a range of revolutionary-era writers, from Symbolists such as Blok and Belyi, to proletarian poets such as Gastev, and early Soviet novelists such as Pilnyak, Zamyatin, and Platonov. A key factor in their problematization of the Orientalist (and Bolshevik) dictum of the backward East is a vision of technological apocalypse, rather than progress, in which Russia engages in a Nietzschean struggle to defeat technology by its own means, and thus escape teleology – and history – altogether.
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spelling nottingham-21762020-05-04T20:20:20Z https://eprints.nottingham.ac.uk/2176/ Techno-utopianism and the Orient in Russian revolutionary culture Hellebust, Rolf The magnitude of the hopes pinned on technology in early twentieth-century Russia was directly proportional to its relative backwardness in this area. The nation saw itself on the brink of an historic clash between the age-old ways of the Slavic peasant and the advances of the industrialized West. In Russia the debate over technological progress is intimately involved with the issue of the nation’s relationship with Europe – or in broader terms, the eternal question “East or West?” In the opening decades of the twentieth century this multifarious dichotomy achieves even greater prominence, as evidenced by a range of revolutionary-era writers, from Symbolists such as Blok and Belyi, to proletarian poets such as Gastev, and early Soviet novelists such as Pilnyak, Zamyatin, and Platonov. A key factor in their problematization of the Orientalist (and Bolshevik) dictum of the backward East is a vision of technological apocalypse, rather than progress, in which Russia engages in a Nietzschean struggle to defeat technology by its own means, and thus escape teleology – and history – altogether. University of Nottingham 2013 Other NonPeerReviewed Hellebust, Rolf (2013) Techno-utopianism and the Orient in Russian revolutionary culture. University of Nottingham. (Unpublished)
spellingShingle Hellebust, Rolf
Techno-utopianism and the Orient in Russian revolutionary culture
title Techno-utopianism and the Orient in Russian revolutionary culture
title_full Techno-utopianism and the Orient in Russian revolutionary culture
title_fullStr Techno-utopianism and the Orient in Russian revolutionary culture
title_full_unstemmed Techno-utopianism and the Orient in Russian revolutionary culture
title_short Techno-utopianism and the Orient in Russian revolutionary culture
title_sort techno-utopianism and the orient in russian revolutionary culture
url https://eprints.nottingham.ac.uk/2176/