Fan Culture and Female Spectatorship in the British Silent Cinema
This study of female fan audiences across the period 1918 to 1928 seeks to engage and readdress conceptions of spectatorship and consumption in silent cinema specific to the British female experience. In focusing upon the film fan magazine���¢��������s ability to offer a platform for the...
| Main Author: | |
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| Format: | Dissertation (University of Nottingham only) |
| Language: | English |
| Published: |
2006
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| Online Access: | https://eprints.nottingham.ac.uk/20673/ |
| _version_ | 1848792115733069824 |
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| author | Stead, Lisa |
| author_facet | Stead, Lisa |
| author_sort | Stead, Lisa |
| building | Nottingham Research Data Repository |
| collection | Online Access |
| description | This study of female fan audiences across the period 1918 to 1928 seeks to engage and readdress conceptions of spectatorship and consumption in silent cinema specific to the British female experience. In focusing upon the film fan magazine���¢��������s ability to offer a platform for the voice of female fans, I explore how fan discourses relate to the struggle between dominant representation and self-representation in the cultural construction of modern British femininity and female spectatorship, progressing towards a exploration of women���¢��������s interaction with female star images as fundamentally entwined with notions of ���¢��������new woman���¢�������� and female consumption. |
| first_indexed | 2025-11-14T18:39:17Z |
| format | Dissertation (University of Nottingham only) |
| id | nottingham-20673 |
| institution | University of Nottingham Malaysia Campus |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-14T18:39:17Z |
| publishDate | 2006 |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | nottingham-206732018-03-04T14:43:52Z https://eprints.nottingham.ac.uk/20673/ Fan Culture and Female Spectatorship in the British Silent Cinema Stead, Lisa This study of female fan audiences across the period 1918 to 1928 seeks to engage and readdress conceptions of spectatorship and consumption in silent cinema specific to the British female experience. In focusing upon the film fan magazine���¢��������s ability to offer a platform for the voice of female fans, I explore how fan discourses relate to the struggle between dominant representation and self-representation in the cultural construction of modern British femininity and female spectatorship, progressing towards a exploration of women���¢��������s interaction with female star images as fundamentally entwined with notions of ���¢��������new woman���¢�������� and female consumption. 2006 Dissertation (University of Nottingham only) NonPeerReviewed application/pdf en https://eprints.nottingham.ac.uk/20673/1/LisaSteadDissertation.pdf Stead, Lisa (2006) Fan Culture and Female Spectatorship in the British Silent Cinema. [Dissertation (University of Nottingham only)] (Unpublished) film spectatorship fan magazine picturegoer women silent cinema british |
| spellingShingle | film spectatorship fan magazine picturegoer women silent cinema british Stead, Lisa Fan Culture and Female Spectatorship in the British Silent Cinema |
| title | Fan Culture and Female Spectatorship in the British Silent Cinema |
| title_full | Fan Culture and Female Spectatorship in the British Silent Cinema |
| title_fullStr | Fan Culture and Female Spectatorship in the British Silent Cinema |
| title_full_unstemmed | Fan Culture and Female Spectatorship in the British Silent Cinema |
| title_short | Fan Culture and Female Spectatorship in the British Silent Cinema |
| title_sort | fan culture and female spectatorship in the british silent cinema |
| topic | film spectatorship fan magazine picturegoer women silent cinema british |
| url | https://eprints.nottingham.ac.uk/20673/ |