Great grand mothers: the female portrait sculpture of Aphrodisias: origins and meaning
This thesis sets out to explore the influences on and meaning of early imperial female portrait sculpture and statues of Aphrodisias in Asia Minor. This group is unlike any other. There survives a rich amount of contextual evidence as well as some unique portraits with unusual features. They appeare...
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| Format: | Thesis (University of Nottingham only) |
| Language: | English |
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2014
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| Online Access: | https://eprints.nottingham.ac.uk/14221/ |
| _version_ | 1848791907311812608 |
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| author | Long, Tracey Elizabeth |
| author_facet | Long, Tracey Elizabeth |
| author_sort | Long, Tracey Elizabeth |
| building | Nottingham Research Data Repository |
| collection | Online Access |
| description | This thesis sets out to explore the influences on and meaning of early imperial female portrait sculpture and statues of Aphrodisias in Asia Minor. This group is unlike any other. There survives a rich amount of contextual evidence as well as some unique portraits with unusual features. They appeared at a time of social change for women and as the first images of imperial wives and mothers emerged from Rome. Local artists exploited this imagery in the city of Aphrodite, the ultimate mother of the Julio-Claudian dynasty. These portraits have only ever been studied as part of the corpus of statues that includes those of males; as a homogenous group with little new to say. In the home of the most significant mother of the time, I propose that the portraits disproportionately emphasise motherhood and reflect the new-found power enjoyed by some of the earliest empresses.
Emerging theories surrounding gender in the ancient world and an art-historical approach have highlighted inconsistencies and inadequacies in former arguments and methodologies dealing with material of this kind. In response, this thesis applies new theories, considering the role of gender with a close examination of iconography and social and political factors to develop an unbiased and objective approach, free from preconceptions and entirely based on the evidence.
The stripping away of previous assumptions has necessitated a reassessment of ancient portraits of both sexes which is tackled in Chapter One. After an assessment of the special circumstances of early imperial Aphrodisias in Chapter Two, the thesis then interprets material by grouping portraits apparently influenced by Rome in Chapter Three, and those which seemingly do not in Chapter Four. In each case, I show how each individual portrait expresses its own unique message of sometimes unexpected values. |
| first_indexed | 2025-11-14T18:35:58Z |
| format | Thesis (University of Nottingham only) |
| id | nottingham-14221 |
| institution | University of Nottingham Malaysia Campus |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-14T18:35:58Z |
| publishDate | 2014 |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | nottingham-142212025-02-28T11:29:29Z https://eprints.nottingham.ac.uk/14221/ Great grand mothers: the female portrait sculpture of Aphrodisias: origins and meaning Long, Tracey Elizabeth This thesis sets out to explore the influences on and meaning of early imperial female portrait sculpture and statues of Aphrodisias in Asia Minor. This group is unlike any other. There survives a rich amount of contextual evidence as well as some unique portraits with unusual features. They appeared at a time of social change for women and as the first images of imperial wives and mothers emerged from Rome. Local artists exploited this imagery in the city of Aphrodite, the ultimate mother of the Julio-Claudian dynasty. These portraits have only ever been studied as part of the corpus of statues that includes those of males; as a homogenous group with little new to say. In the home of the most significant mother of the time, I propose that the portraits disproportionately emphasise motherhood and reflect the new-found power enjoyed by some of the earliest empresses. Emerging theories surrounding gender in the ancient world and an art-historical approach have highlighted inconsistencies and inadequacies in former arguments and methodologies dealing with material of this kind. In response, this thesis applies new theories, considering the role of gender with a close examination of iconography and social and political factors to develop an unbiased and objective approach, free from preconceptions and entirely based on the evidence. The stripping away of previous assumptions has necessitated a reassessment of ancient portraits of both sexes which is tackled in Chapter One. After an assessment of the special circumstances of early imperial Aphrodisias in Chapter Two, the thesis then interprets material by grouping portraits apparently influenced by Rome in Chapter Three, and those which seemingly do not in Chapter Four. In each case, I show how each individual portrait expresses its own unique message of sometimes unexpected values. 2014-07-14 Thesis (University of Nottingham only) NonPeerReviewed application/pdf en arr https://eprints.nottingham.ac.uk/14221/1/PhD_thesis_T_Long_2014.pdf Long, Tracey Elizabeth (2014) Great grand mothers: the female portrait sculpture of Aphrodisias: origins and meaning. PhD thesis, University of Nottingham. Ancient portrait sculpture Women in ancient art Extinct city of Aphrodisias |
| spellingShingle | Ancient portrait sculpture Women in ancient art Extinct city of Aphrodisias Long, Tracey Elizabeth Great grand mothers: the female portrait sculpture of Aphrodisias: origins and meaning |
| title | Great grand mothers: the female portrait sculpture of Aphrodisias: origins and meaning |
| title_full | Great grand mothers: the female portrait sculpture of Aphrodisias: origins and meaning |
| title_fullStr | Great grand mothers: the female portrait sculpture of Aphrodisias: origins and meaning |
| title_full_unstemmed | Great grand mothers: the female portrait sculpture of Aphrodisias: origins and meaning |
| title_short | Great grand mothers: the female portrait sculpture of Aphrodisias: origins and meaning |
| title_sort | great grand mothers: the female portrait sculpture of aphrodisias: origins and meaning |
| topic | Ancient portrait sculpture Women in ancient art Extinct city of Aphrodisias |
| url | https://eprints.nottingham.ac.uk/14221/ |