Wandering poets and the dissemination of Greek tragedy in the fifth and fourth centuries BC

This work is the first full-length study of the dissemination of Greek tragedy in the earliest period of the history of drama. In recent years, especially with the growth of reception studies, scholars have become increasingly interested in studying drama outside its fifth century Athenian performan...

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Main Author: Stewart, Edmund
Format: Thesis (University of Nottingham only)
Language:English
Published: 2013
Subjects:
Online Access:https://eprints.nottingham.ac.uk/14065/
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author Stewart, Edmund
author_facet Stewart, Edmund
author_sort Stewart, Edmund
building Nottingham Research Data Repository
collection Online Access
description This work is the first full-length study of the dissemination of Greek tragedy in the earliest period of the history of drama. In recent years, especially with the growth of reception studies, scholars have become increasingly interested in studying drama outside its fifth century Athenian performance context. As a result, it has become all the more important to establish both when and how tragedy first became popular across the Greek world. This study aims to provide detailed answers to these questions. In doing so, the thesis challenges the prevailing assumption that tragedy was, in its origins, an exclusively Athenian cultural product, and that its ‘export’ outside Attica only occurred at a later period. Instead, I argue that the dissemination of tragedy took place simultaneously with its development and growth at Athens. We will see, through an examination of both the material and literary evidence, that non-Athenian Greeks were aware of the works of Athenian tragedians from at least the first half of the fifth century. In order to explain how this came about, I suggest that tragic playwrights should be seen in the context of the ancient tradition of wandering poets, and that travel was a usual and even necessary part of a poet’s work. I consider the evidence for the travels of Athenian and non-Athenian poets, as well as actors, and examine their motives for travelling and their activities on the road. In doing so, I attempt to reconstruct, as far as possible, the circuit of festivals and patrons, on which both tragedians and other poetic professionals moved. This study thus aims to both chart the process of tragedy’s dissemination and to situate the genre within the context of the broader ‘song culture’ of the Greek wandering poet.
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spelling nottingham-140652025-02-28T11:28:40Z https://eprints.nottingham.ac.uk/14065/ Wandering poets and the dissemination of Greek tragedy in the fifth and fourth centuries BC Stewart, Edmund This work is the first full-length study of the dissemination of Greek tragedy in the earliest period of the history of drama. In recent years, especially with the growth of reception studies, scholars have become increasingly interested in studying drama outside its fifth century Athenian performance context. As a result, it has become all the more important to establish both when and how tragedy first became popular across the Greek world. This study aims to provide detailed answers to these questions. In doing so, the thesis challenges the prevailing assumption that tragedy was, in its origins, an exclusively Athenian cultural product, and that its ‘export’ outside Attica only occurred at a later period. Instead, I argue that the dissemination of tragedy took place simultaneously with its development and growth at Athens. We will see, through an examination of both the material and literary evidence, that non-Athenian Greeks were aware of the works of Athenian tragedians from at least the first half of the fifth century. In order to explain how this came about, I suggest that tragic playwrights should be seen in the context of the ancient tradition of wandering poets, and that travel was a usual and even necessary part of a poet’s work. I consider the evidence for the travels of Athenian and non-Athenian poets, as well as actors, and examine their motives for travelling and their activities on the road. In doing so, I attempt to reconstruct, as far as possible, the circuit of festivals and patrons, on which both tragedians and other poetic professionals moved. This study thus aims to both chart the process of tragedy’s dissemination and to situate the genre within the context of the broader ‘song culture’ of the Greek wandering poet. 2013-12-11 Thesis (University of Nottingham only) NonPeerReviewed application/pdf en arr https://eprints.nottingham.ac.uk/14065/1/Wandering_poets_and_the_dissemination_of_Greek_tragedy_in_the_fifth_and_fourth_centuries_BC.pdf Stewart, Edmund (2013) Wandering poets and the dissemination of Greek tragedy in the fifth and fourth centuries BC. PhD thesis, University of Nottingham. Greek Tragedy Wandering Poets Athens Professionals
spellingShingle Greek Tragedy
Wandering Poets
Athens
Professionals
Stewart, Edmund
Wandering poets and the dissemination of Greek tragedy in the fifth and fourth centuries BC
title Wandering poets and the dissemination of Greek tragedy in the fifth and fourth centuries BC
title_full Wandering poets and the dissemination of Greek tragedy in the fifth and fourth centuries BC
title_fullStr Wandering poets and the dissemination of Greek tragedy in the fifth and fourth centuries BC
title_full_unstemmed Wandering poets and the dissemination of Greek tragedy in the fifth and fourth centuries BC
title_short Wandering poets and the dissemination of Greek tragedy in the fifth and fourth centuries BC
title_sort wandering poets and the dissemination of greek tragedy in the fifth and fourth centuries bc
topic Greek Tragedy
Wandering Poets
Athens
Professionals
url https://eprints.nottingham.ac.uk/14065/