"The things that attach people": a critical literary analysis of the fiction of Barbara Kingsolver

This is the first full-length scholarly work dedicated to the fiction of Kentucky-raised feminist activist and trained biologist Barbara Kingsolver. Interrogating the political efficacy of the work of an author who proclaims that art “should be political” and that “literature should inform as well a...

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Main Author: Gorton, Ceri Martha
Format: Thesis (University of Nottingham only)
Language:English
Published: 2009
Online Access:https://eprints.nottingham.ac.uk/10758/
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author Gorton, Ceri Martha
author_facet Gorton, Ceri Martha
author_sort Gorton, Ceri Martha
building Nottingham Research Data Repository
collection Online Access
description This is the first full-length scholarly work dedicated to the fiction of Kentucky-raised feminist activist and trained biologist Barbara Kingsolver. Interrogating the political efficacy of the work of an author who proclaims that art “should be political” and that “literature should inform as well as enlighten”, this thesis explores the ways in which Kingsolver positions herself variously as an environmentalist, liberal, communitarian, feminist and agrarian. It unpacks the author’s issues-based approach to writing fiction and its effect on her commercial popularity and through close readings of her fiction provides an assessment of this popular and critically acclaimed contemporary American writer. This study maps the oeuvre of a writer who has achieved critical success in the form of Pulitzer nominations, American Booksellers Book of the Year awards, a National Medal for Arts, and commercial success in the form of bestselling novels and even non-fiction works – not to mention the populist accolade of being selected as an Oprah’s Book Club author. It analyses tropes, techniques and tensions in Kingsolver’s novels and short stories published between 1988 and 2001, namely The Bean Trees (1988), Homeland and Other Stories (1989), Animal Dreams (1990), Pigs in Heaven (1993), The Poisonwood Bible (1998), and Prodigal Summer (2001). Rather than act as an introductory survey, this assessment posits that there exists a difficult but fruitful tension between writing fiction for readers and writing to a political agenda. Kingsolver promotes both of these through her narrative strategies and preoccupations. In the end, I argue that Kingsolver’s pursuit of popular appeal, far from compromising her politics, is a political strategy in itself.
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spelling nottingham-107582025-02-28T11:09:27Z https://eprints.nottingham.ac.uk/10758/ "The things that attach people": a critical literary analysis of the fiction of Barbara Kingsolver Gorton, Ceri Martha This is the first full-length scholarly work dedicated to the fiction of Kentucky-raised feminist activist and trained biologist Barbara Kingsolver. Interrogating the political efficacy of the work of an author who proclaims that art “should be political” and that “literature should inform as well as enlighten”, this thesis explores the ways in which Kingsolver positions herself variously as an environmentalist, liberal, communitarian, feminist and agrarian. It unpacks the author’s issues-based approach to writing fiction and its effect on her commercial popularity and through close readings of her fiction provides an assessment of this popular and critically acclaimed contemporary American writer. This study maps the oeuvre of a writer who has achieved critical success in the form of Pulitzer nominations, American Booksellers Book of the Year awards, a National Medal for Arts, and commercial success in the form of bestselling novels and even non-fiction works – not to mention the populist accolade of being selected as an Oprah’s Book Club author. It analyses tropes, techniques and tensions in Kingsolver’s novels and short stories published between 1988 and 2001, namely The Bean Trees (1988), Homeland and Other Stories (1989), Animal Dreams (1990), Pigs in Heaven (1993), The Poisonwood Bible (1998), and Prodigal Summer (2001). Rather than act as an introductory survey, this assessment posits that there exists a difficult but fruitful tension between writing fiction for readers and writing to a political agenda. Kingsolver promotes both of these through her narrative strategies and preoccupations. In the end, I argue that Kingsolver’s pursuit of popular appeal, far from compromising her politics, is a political strategy in itself. 2009-07-14 Thesis (University of Nottingham only) NonPeerReviewed application/pdf en arr https://eprints.nottingham.ac.uk/10758/1/Ceri_Gorton_PhD_Thesis.pdf Gorton, Ceri Martha (2009) "The things that attach people": a critical literary analysis of the fiction of Barbara Kingsolver. PhD thesis, University of Nottingham.
spellingShingle Gorton, Ceri Martha
"The things that attach people": a critical literary analysis of the fiction of Barbara Kingsolver
title "The things that attach people": a critical literary analysis of the fiction of Barbara Kingsolver
title_full "The things that attach people": a critical literary analysis of the fiction of Barbara Kingsolver
title_fullStr "The things that attach people": a critical literary analysis of the fiction of Barbara Kingsolver
title_full_unstemmed "The things that attach people": a critical literary analysis of the fiction of Barbara Kingsolver
title_short "The things that attach people": a critical literary analysis of the fiction of Barbara Kingsolver
title_sort "the things that attach people": a critical literary analysis of the fiction of barbara kingsolver
url https://eprints.nottingham.ac.uk/10758/