Rhythm in Painting after Cézanne
Rhythm in painting involves a sense of temporality and movement formed, at least partly, by static material. The research for this study focuses on this dichotomy and the correlation between music, rhythm and painting. Walter Pater recognised that painting functions more like music, with Paul Cézann...
| Main Author: | |
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| Format: | Thesis |
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Curtin University
2024
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| Online Access: | http://hdl.handle.net/20.500.11937/95431 |
| _version_ | 1848766011566718976 |
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| author | Sieradzki, Simon |
| author_facet | Sieradzki, Simon |
| author_sort | Sieradzki, Simon |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | Rhythm in painting involves a sense of temporality and movement formed, at least partly, by static material. The research for this study focuses on this dichotomy and the correlation between music, rhythm and painting. Walter Pater recognised that painting functions more like music, with Paul Cézanne pioneering this approach. This study investigates Cézanne’s influence to better understand rhythm and painting on an aesthetic and practical level and to explore how to take its creative potential for painting further. |
| first_indexed | 2025-11-14T11:44:22Z |
| format | Thesis |
| id | curtin-20.500.11937-95431 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T11:44:22Z |
| publishDate | 2024 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-954312024-07-04T01:22:55Z Rhythm in Painting after Cézanne Sieradzki, Simon Rhythm in painting involves a sense of temporality and movement formed, at least partly, by static material. The research for this study focuses on this dichotomy and the correlation between music, rhythm and painting. Walter Pater recognised that painting functions more like music, with Paul Cézanne pioneering this approach. This study investigates Cézanne’s influence to better understand rhythm and painting on an aesthetic and practical level and to explore how to take its creative potential for painting further. 2024 Thesis http://hdl.handle.net/20.500.11937/95431 Curtin University fulltext |
| spellingShingle | Sieradzki, Simon Rhythm in Painting after Cézanne |
| title | Rhythm in Painting after Cézanne |
| title_full | Rhythm in Painting after Cézanne |
| title_fullStr | Rhythm in Painting after Cézanne |
| title_full_unstemmed | Rhythm in Painting after Cézanne |
| title_short | Rhythm in Painting after Cézanne |
| title_sort | rhythm in painting after cézanne |
| url | http://hdl.handle.net/20.500.11937/95431 |