The Line of the Light: Painting backstage affective atmospheres.
This project explores the embodied experience of the affective atmosphere of the backstage of the theatre, questioning how this site can be visually translated using oil painting. Through the analysis of the affective capabilities of painting, the phenomenology of acting processes, and atmospheres...
| Main Author: | |
|---|---|
| Format: | Thesis |
| Published: |
Curtin University
2024
|
| Online Access: | http://hdl.handle.net/20.500.11937/95021 |
| _version_ | 1848765957058592768 |
|---|---|
| author | Brennan, Emily Rose |
| author_facet | Brennan, Emily Rose |
| author_sort | Brennan, Emily Rose |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | This project explores the embodied experience of the affective atmosphere of the backstage of the theatre, questioning how this site can be visually translated using oil painting. Through the analysis of the affective capabilities of painting, the phenomenology of acting processes, and atmospheres that reside in backstage interiors, I investigate how the lived-experience of backstage sites can contribute to paintings which register affective atmospheres linked to heightened energy, focused concentration, imaginative processes, and liminal sensations. |
| first_indexed | 2025-11-14T11:43:30Z |
| format | Thesis |
| id | curtin-20.500.11937-95021 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T11:43:30Z |
| publishDate | 2024 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-950212024-05-13T00:40:40Z The Line of the Light: Painting backstage affective atmospheres. Brennan, Emily Rose This project explores the embodied experience of the affective atmosphere of the backstage of the theatre, questioning how this site can be visually translated using oil painting. Through the analysis of the affective capabilities of painting, the phenomenology of acting processes, and atmospheres that reside in backstage interiors, I investigate how the lived-experience of backstage sites can contribute to paintings which register affective atmospheres linked to heightened energy, focused concentration, imaginative processes, and liminal sensations. 2024 Thesis http://hdl.handle.net/20.500.11937/95021 Curtin University fulltext |
| spellingShingle | Brennan, Emily Rose The Line of the Light: Painting backstage affective atmospheres. |
| title | The Line of the Light:
Painting backstage affective atmospheres. |
| title_full | The Line of the Light:
Painting backstage affective atmospheres. |
| title_fullStr | The Line of the Light:
Painting backstage affective atmospheres. |
| title_full_unstemmed | The Line of the Light:
Painting backstage affective atmospheres. |
| title_short | The Line of the Light:
Painting backstage affective atmospheres. |
| title_sort | line of the light:
painting backstage affective atmospheres. |
| url | http://hdl.handle.net/20.500.11937/95021 |