Holographic prism projection: extinction rebellion & energy futures on sci-fi television
This study in media practice provides insights on video production for holographic prism projection, which has become more accessible as smart flat screens have become more available. The study reflects on the experiences of producing, installing and viewing a documentary video projected via hologra...
| Main Authors: | , , , , |
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| Format: | Journal Article |
| Published: |
Taylor and Francis Group
2023
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| Online Access: | http://hdl.handle.net/20.500.11937/92738 |
| _version_ | 1848765660658663424 |
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| author | Kerr, Thor Grenfell, Raymond Rahaman, Hafizur Boyle, Maureen Eames, Richard |
| author_facet | Kerr, Thor Grenfell, Raymond Rahaman, Hafizur Boyle, Maureen Eames, Richard |
| author_sort | Kerr, Thor |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | This study in media practice provides insights on video production for holographic prism projection, which has become more accessible as smart flat screens have become more available. The study reflects on the experiences of producing, installing and viewing a documentary video projected via holographic prism, titled ‘FarNearFutureNow.’ Engaging the participation of Extinction Rebellion (XR) members, this university-funded production included recording and combining interview footage with energy policy texts in the visual style of the hologram scene from Star Wars, the 1977 science-fiction film. With viewer co-experience, environmental politics and legacies of colonialism in mind, we produced a 5-minute video and prism projection system for public exhibition. FarNearFutureNow was produced through collective processes of gathering, assembling, reviewing, storyboarding, scripting and editing interview footage and other recordings as well as testing and fabricating installation materials. These production processes enabled us to understand the affordances of creative darkness in holographic production for disassociating and recombining visual elements. The hologram’s disassociated focus on a single object proved useful in drawing audience attention and for assembling non-fiction elements in sequences referencing popular fiction. It is also useful for showing radically different visual scales in sequence, and for simultaneously juxtaposing audio and visual scales. |
| first_indexed | 2025-11-14T11:38:47Z |
| format | Journal Article |
| id | curtin-20.500.11937-92738 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T11:38:47Z |
| publishDate | 2023 |
| publisher | Taylor and Francis Group |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-927382023-07-25T01:53:07Z Holographic prism projection: extinction rebellion & energy futures on sci-fi television Kerr, Thor Grenfell, Raymond Rahaman, Hafizur Boyle, Maureen Eames, Richard This study in media practice provides insights on video production for holographic prism projection, which has become more accessible as smart flat screens have become more available. The study reflects on the experiences of producing, installing and viewing a documentary video projected via holographic prism, titled ‘FarNearFutureNow.’ Engaging the participation of Extinction Rebellion (XR) members, this university-funded production included recording and combining interview footage with energy policy texts in the visual style of the hologram scene from Star Wars, the 1977 science-fiction film. With viewer co-experience, environmental politics and legacies of colonialism in mind, we produced a 5-minute video and prism projection system for public exhibition. FarNearFutureNow was produced through collective processes of gathering, assembling, reviewing, storyboarding, scripting and editing interview footage and other recordings as well as testing and fabricating installation materials. These production processes enabled us to understand the affordances of creative darkness in holographic production for disassociating and recombining visual elements. The hologram’s disassociated focus on a single object proved useful in drawing audience attention and for assembling non-fiction elements in sequences referencing popular fiction. It is also useful for showing radically different visual scales in sequence, and for simultaneously juxtaposing audio and visual scales. 2023 Journal Article http://hdl.handle.net/20.500.11937/92738 10.1080/25741136.2023.2225960 Taylor and Francis Group fulltext |
| spellingShingle | Kerr, Thor Grenfell, Raymond Rahaman, Hafizur Boyle, Maureen Eames, Richard Holographic prism projection: extinction rebellion & energy futures on sci-fi television |
| title | Holographic prism projection: extinction rebellion & energy futures on sci-fi television |
| title_full | Holographic prism projection: extinction rebellion & energy futures on sci-fi television |
| title_fullStr | Holographic prism projection: extinction rebellion & energy futures on sci-fi television |
| title_full_unstemmed | Holographic prism projection: extinction rebellion & energy futures on sci-fi television |
| title_short | Holographic prism projection: extinction rebellion & energy futures on sci-fi television |
| title_sort | holographic prism projection: extinction rebellion & energy futures on sci-fi television |
| url | http://hdl.handle.net/20.500.11937/92738 |