The smear that discloses world: Material and perception in painting
The thesis reads Gilles Deleuze’s lectures on painting from 1981 to develop a theory of painting as a mereological activity, concerned with the relations of parts to one another and to wholes. Painting from observation is taken as a case by which painting performs the broader aesthetic function of e...
| Main Author: | |
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| Format: | Thesis |
| Published: |
Curtin University
2021
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| Online Access: | http://hdl.handle.net/20.500.11937/89773 |
| _version_ | 1848765284110827520 |
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| author | Black, Steven Michael |
| author_facet | Black, Steven Michael |
| author_sort | Black, Steven Michael |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | The thesis reads Gilles Deleuze’s lectures on painting from 1981 to develop a theory of painting as a mereological activity, concerned with the relations of parts to one another and to wholes. Painting from observation is taken as a case by which painting performs the broader aesthetic function of exemplifying efficacy. |
| first_indexed | 2025-11-14T11:32:48Z |
| format | Thesis |
| id | curtin-20.500.11937-89773 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T11:32:48Z |
| publishDate | 2021 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-897732022-12-07T03:11:34Z The smear that discloses world: Material and perception in painting Black, Steven Michael The thesis reads Gilles Deleuze’s lectures on painting from 1981 to develop a theory of painting as a mereological activity, concerned with the relations of parts to one another and to wholes. Painting from observation is taken as a case by which painting performs the broader aesthetic function of exemplifying efficacy. 2021 Thesis http://hdl.handle.net/20.500.11937/89773 Curtin University fulltext |
| spellingShingle | Black, Steven Michael The smear that discloses world: Material and perception in painting |
| title | The smear that discloses world: Material and perception in painting |
| title_full | The smear that discloses world: Material and perception in painting |
| title_fullStr | The smear that discloses world: Material and perception in painting |
| title_full_unstemmed | The smear that discloses world: Material and perception in painting |
| title_short | The smear that discloses world: Material and perception in painting |
| title_sort | smear that discloses world: material and perception in painting |
| url | http://hdl.handle.net/20.500.11937/89773 |