Re-presenting China in Digital Immersive Art: Virtual Reality, Imaginaries, and Cultural Presence
The thesis explores how digital technology, in particular virtual reality and augmented reality, is playing a role in China’s rejuvenation, especially in relation to cultural displays, performances, and art exhibitions. This project examines how audiences, both in China and globally, respond to ‘Dig...
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| Format: | Thesis |
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Curtin University
2022
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| Online Access: | http://hdl.handle.net/20.500.11937/89625 |
| _version_ | 1848765259401134080 |
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| author | Zhao, Xinyang |
| author_facet | Zhao, Xinyang |
| author_sort | Zhao, Xinyang |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | The thesis explores how digital technology, in particular virtual reality and augmented reality, is playing a role in China’s rejuvenation, especially in relation to cultural displays, performances, and art exhibitions. This project examines how audiences, both in China and globally, respond to ‘Digital China’, a concept describing how people’s everyday lives in China are becoming superconnected by digital technology. Qualitative methodology with a multi-perspectival approach is applied to advance the aim of the project. |
| first_indexed | 2025-11-14T11:32:24Z |
| format | Thesis |
| id | curtin-20.500.11937-89625 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T11:32:24Z |
| publishDate | 2022 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-896252022-11-08T05:34:51Z Re-presenting China in Digital Immersive Art: Virtual Reality, Imaginaries, and Cultural Presence Zhao, Xinyang The thesis explores how digital technology, in particular virtual reality and augmented reality, is playing a role in China’s rejuvenation, especially in relation to cultural displays, performances, and art exhibitions. This project examines how audiences, both in China and globally, respond to ‘Digital China’, a concept describing how people’s everyday lives in China are becoming superconnected by digital technology. Qualitative methodology with a multi-perspectival approach is applied to advance the aim of the project. 2022 Thesis http://hdl.handle.net/20.500.11937/89625 Curtin University fulltext |
| spellingShingle | Zhao, Xinyang Re-presenting China in Digital Immersive Art: Virtual Reality, Imaginaries, and Cultural Presence |
| title | Re-presenting China in Digital Immersive Art: Virtual Reality, Imaginaries, and Cultural Presence |
| title_full | Re-presenting China in Digital Immersive Art: Virtual Reality, Imaginaries, and Cultural Presence |
| title_fullStr | Re-presenting China in Digital Immersive Art: Virtual Reality, Imaginaries, and Cultural Presence |
| title_full_unstemmed | Re-presenting China in Digital Immersive Art: Virtual Reality, Imaginaries, and Cultural Presence |
| title_short | Re-presenting China in Digital Immersive Art: Virtual Reality, Imaginaries, and Cultural Presence |
| title_sort | re-presenting china in digital immersive art: virtual reality, imaginaries, and cultural presence |
| url | http://hdl.handle.net/20.500.11937/89625 |