The war itself: Cornelia Parker’s official Election Art, post-2016 democracy and the weaponisation of social media

QR Code

The war itself: Cornelia Parker’s official Election Art, post-2016 democracy and the weaponisation of social media

Introduction When a snap general election was called in the United Kingdom in 2017, Cornelia Parker, one of that nation’s most prominent and celebrated contemporary artists dealing often in war and conflict, was appointed as the official British election artist. The 2017 election followed less th...

Full description

Bibliographic Details
Main Author:	Messham-Muir, Kit
Format:	Journal Article
Published:	Taylor & Francis 2021
Subjects:	1901 - Art Theory and Criticism
Online Access:	http://hdl.handle.net/20.500.11937/88276

Similar Items

Between the Walls: The Return of Post 1989 and the Art of Mladen Miljanović
by: Messham-Muir, Kit
Published: (2021)

Art & Text: the rise and fall of theory
by: Messham-Muir, Kit
Published: (2022)

After Aftershock: The Affect–Trauma Paradigm One Generation After 9/11
by: Messham-Muir, Kit, et al.
Published: (2020)

Introduction
by: Messham-Muir, Kit, et al.
Published: (2020)

Conflict and Compromise: Australia's Official War Artists and the "War on Terror"
by: Messham-Muir, Kit
Published: (2019)

Art History, Heritage Games, and Virtual Reality
by: Champion, Erik, et al.
Published: (2020)

Crossing the Wire: Western Contemporary War Art in the Interbellum
by: Messham-Muir, Kit
Published: (2022)

Impossible Empathy: The Non-Documentary War Art of Shaun Gladwell
by: Messham-Muir, Kit
Published: (2014)

Weaponising Social Media
by: Ford, Shannon
Published: (2017)

Launch of ’Double War: Shaun Gladwell’ , Sherman Contemporary Art Foundation, 23 April 2015
by: Messham-Muir, Kit
Published: (2015)

Who are you, and what are you doing here?: Intersubjectivity and the Phantom Subjective Image in Shaun Gladwell’s War Art Works
by: Messham-Muir, Kit
Published: (2016)

Images of War and Death
by: Messham-Muir, Kit
Published: (2015)

From Historical Models to Virtual Heritage Simulations
by: Champion, Erik
Published: (2019)

Two artists go to war – Shaun Gladwell and Ben Quilty
by: Messham-Muir, Kit
Published: (2014)

Memorialising Tragedy Through Art
by: Messham-Muir, Kit
Published: (2016)

The Point of View and the Political Sublime in Contemporary Art
by: Messham-Muir, Kit
Published: (2017)

Double War: Shaun Gladwell, visual culture and the wars in Afghanistan and Iraq
by: Messham-Muir, Christian
Published: (2015)

Kedah putting itself at risk
by: Majid, Embun
Published: (2012)

The education of radical democracy
by: Amsler, Sarah
Published: (2015)

Understanding art
by: Ellis, L., et al.
Published: (2016)

Sydney: Matthys Gerber, Museum of Contemporary Art Australia
by: Messham-Muir, Kit
Published: (2016)

Three questions not to ask about art - and four to ask instead
by: Messham-Muir, Kit
Published: (2014)

Three simple steps to understand art: look, see, think
by: Messham-Muir, Kit
Published: (2014)

Wim Delvoye’s astonishing art shows what’s lurking in the banal
by: Messham-Muir, Kit
Published: (2014)

Ben Quilty on New Masculinities in Contemporary Art, 26 January 2013
by: Messham-Muir, Kit
Published: (2013)

Review: Australia, at the Royal Academy of Arts, London, 25 September 2013
by: Messham-Muir, Kit
Published: (2013)

A Manifesta without a manifesto: contemporary art in St Petersburg
by: Messham-Muir, Kit
Published: (2014)

Elections in Bangladesh: signs democracy or tyranny?
by: Ahsan, Abdullahil
Published: (2015)

Presidential elections in Afghanistan: democracy in the making
by: Ra'ees, Wahabuddin
Published: (2005)

Demokrasi ve seçimler (Democracy and Elections)
by: Kayadibi, Saim
Published: (2011)

Interview with Charles Stuckey, art historian, New York, 4 October 2012
by: Messham-Muir, Kit
Published: (2014)

Bad Faith Intersubjectivity: The phantom-subjective image in virtual reality contemporary art
by: Messham-Muir, Kit
Published: (2018)

Interview with Susanna Castleden, artist, Fremantle, Australia, 25 October 2016
by: Messham-Muir, Kit
Published: (2017)

Interview with Ric Spencer, curator, Fremantle, Western Australia, 25 October 2016
by: Messham-Muir, Kit
Published: (2017)

Interview with Interview with Tanya Lee, artist, Dianella, Australia, 20 October 2016
by: Messham-Muir, Kit
Published: (2017)

Interview with Olga Cironis, Perth, Western Australia, 24 November 2016 (Part 1)
by: Messham-Muir, Kit
Published: (2017)

Interview with Clyde McGill, artist, Fremantle, Western Australia, 25 October 2016
by: Messham-Muir, Kit
Published: (2017)

Interview with Andrew Sunley Smith, artist, Fremantle, Western Australia, 25 October 2016
by: Messham-Muir, Kit
Published: (2017)

The hybrid art identity framework through artists’ practices in integrating hybrid art knowledge in the Malaysian arts scene
by: Michael, Valerie
Published: (2019)

2008 general elections in Malaysia: democracy at work
by: Moten, Abdul Rashid
Published: (2009)

Cannot write session to /tmp/vufind_sessions/sess_hg8ommu5df410k2err7tdpb0og