The Haptic Dimension of Ceramic Practice: Ways of Knowing
This research examines how streams of tacit knowledge and sensory awareness have impacted Australia’s approach to ceramic making. Through a combination of creative practice and exegesis, the investigation considers how experiential knowledge amassed over time builds a visual, cognitive and sensual v...
| Main Author: | |
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| Format: | Thesis |
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Curtin University
2020
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| Online Access: | http://hdl.handle.net/20.500.11937/81389 |
| _version_ | 1848764362275160064 |
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| author | McVeigh, Alana Carol |
| author_facet | McVeigh, Alana Carol |
| author_sort | McVeigh, Alana Carol |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | This research examines how streams of tacit knowledge and sensory awareness have impacted Australia’s approach to ceramic making. Through a combination of creative practice and exegesis, the investigation considers how experiential knowledge amassed over time builds a visual, cognitive and sensual vocabulary that becomes embodied as a visceral form of making. A form of making and awareness that entered Australian ceramic studio practice from China, Japan, Korea and Britain primarily during the 1940s–1960s. |
| first_indexed | 2025-11-14T11:18:09Z |
| format | Thesis |
| id | curtin-20.500.11937-81389 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T11:18:09Z |
| publishDate | 2020 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-813892020-10-12T08:21:37Z The Haptic Dimension of Ceramic Practice: Ways of Knowing McVeigh, Alana Carol This research examines how streams of tacit knowledge and sensory awareness have impacted Australia’s approach to ceramic making. Through a combination of creative practice and exegesis, the investigation considers how experiential knowledge amassed over time builds a visual, cognitive and sensual vocabulary that becomes embodied as a visceral form of making. A form of making and awareness that entered Australian ceramic studio practice from China, Japan, Korea and Britain primarily during the 1940s–1960s. 2020 Thesis http://hdl.handle.net/20.500.11937/81389 Curtin University fulltext |
| spellingShingle | McVeigh, Alana Carol The Haptic Dimension of Ceramic Practice: Ways of Knowing |
| title | The Haptic Dimension of Ceramic Practice: Ways of Knowing |
| title_full | The Haptic Dimension of Ceramic Practice: Ways of Knowing |
| title_fullStr | The Haptic Dimension of Ceramic Practice: Ways of Knowing |
| title_full_unstemmed | The Haptic Dimension of Ceramic Practice: Ways of Knowing |
| title_short | The Haptic Dimension of Ceramic Practice: Ways of Knowing |
| title_sort | haptic dimension of ceramic practice: ways of knowing |
| url | http://hdl.handle.net/20.500.11937/81389 |