“Aren’t These Just Young, Rich Women Doing Vain Things Online?”: Influencer Selfies as Subversive Frivolity

Taking seriously the global trend of selfies becoming marketable and entangled in ecologies of commerce, this article looks at Influencers who have emerged as (semi-)professional selfie-producers and for whom taking selfies is a purposively commercial, thoughtful, and subversive endeavor. Based on i...

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Main Author: Abidin, Crystal
Format: Journal Article
Language:English
Published: SAGE PUBLICATIONS LTD 2016
Subjects:
Online Access:http://hdl.handle.net/20.500.11937/79388
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author Abidin, Crystal
author_facet Abidin, Crystal
author_sort Abidin, Crystal
building Curtin Institutional Repository
collection Online Access
description Taking seriously the global trend of selfies becoming marketable and entangled in ecologies of commerce, this article looks at Influencers who have emerged as (semi-)professional selfie-producers and for whom taking selfies is a purposively commercial, thoughtful, and subversive endeavor. Based on in-depth ethnographic fieldwork and grounded theory analysis, I examine Influencers’ engagements with selfies on Instagram and their appropriations of selfies as salable objects, as tacit labor, and as an expression of contrived authenticity and reflexivity. Through these practices, Influencers achieve “subversive frivolity,” which I define as the under-visibilized and under-estimated generative power of an object or practice arising from its (populist) discursive framing as marginal, inconsequential, and unproductive.
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spelling curtin-20.500.11937-793882020-08-05T01:13:23Z “Aren’t These Just Young, Rich Women Doing Vain Things Online?”: Influencer Selfies as Subversive Frivolity Abidin, Crystal Social Sciences Communication selfies social media Instagram Influencer gendered labor Singapore Taking seriously the global trend of selfies becoming marketable and entangled in ecologies of commerce, this article looks at Influencers who have emerged as (semi-)professional selfie-producers and for whom taking selfies is a purposively commercial, thoughtful, and subversive endeavor. Based on in-depth ethnographic fieldwork and grounded theory analysis, I examine Influencers’ engagements with selfies on Instagram and their appropriations of selfies as salable objects, as tacit labor, and as an expression of contrived authenticity and reflexivity. Through these practices, Influencers achieve “subversive frivolity,” which I define as the under-visibilized and under-estimated generative power of an object or practice arising from its (populist) discursive framing as marginal, inconsequential, and unproductive. 2016 Journal Article http://hdl.handle.net/20.500.11937/79388 10.1177/2056305116641342 English http://creativecommons.org/licenses/by-nc/3.0/ SAGE PUBLICATIONS LTD fulltext
spellingShingle Social Sciences
Communication
selfies
social media
Instagram
Influencer
gendered labor
Singapore
Abidin, Crystal
“Aren’t These Just Young, Rich Women Doing Vain Things Online?”: Influencer Selfies as Subversive Frivolity
title “Aren’t These Just Young, Rich Women Doing Vain Things Online?”: Influencer Selfies as Subversive Frivolity
title_full “Aren’t These Just Young, Rich Women Doing Vain Things Online?”: Influencer Selfies as Subversive Frivolity
title_fullStr “Aren’t These Just Young, Rich Women Doing Vain Things Online?”: Influencer Selfies as Subversive Frivolity
title_full_unstemmed “Aren’t These Just Young, Rich Women Doing Vain Things Online?”: Influencer Selfies as Subversive Frivolity
title_short “Aren’t These Just Young, Rich Women Doing Vain Things Online?”: Influencer Selfies as Subversive Frivolity
title_sort “aren’t these just young, rich women doing vain things online?”: influencer selfies as subversive frivolity
topic Social Sciences
Communication
selfies
social media
Instagram
Influencer
gendered labor
Singapore
url http://hdl.handle.net/20.500.11937/79388