From Historical Models to Virtual Heritage Simulations
This chapter analyses the gap between digital historical models, and proposes that instead of developing stand-alone models that we design in terms of components, components of scholarly ecosystems and audienceoriented learning systems. The focus here is not on individual projects or technologica...
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| Format: | Book Chapter |
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arthistoricum.net
2019
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| Online Access: | https://books.ub.uni-heidelberg.de/arthistoricum/catalog/book/515 http://hdl.handle.net/20.500.11937/77867 |
| Summary: | This chapter analyses the gap between digital historical models, and
proposes that instead of developing stand-alone models that we design
in terms of components, components of scholarly ecosystems and audienceoriented learning systems. The focus here is not on individual projects or
technological limitations but on the lack of clear and replicable explicit terminology,
methodology, assessable, replicable evaluation, and scholarly infrastructure.
The success of virtual heritage projects as both a communication and preservation medium depend on community involvement, including scholars,
students, the wider public, but also the original shareholders.
There is also great potential for more focussed usability studies to verify
the effectiveness of interaction and contextual learning. How interaction
is intended, what actually takes place and how to archive it separately from the
model are difficult issues, but they need to be solved. I will also briefly
discuss four major themes potentially of great import to a virtual heritage
repository: consumer VR; research groups attempting to avoid the
problems of silo projects; publication of 3D models in journals; and real-time
streaming of distributed components in a game engine. This chapter
also suggests ten criteria to determine whether and to what extent virtual
heritage models can solves these issues. |
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