Imaging the Margins: Representation and Identity in Visual Art Reflections
This thesis (creative exegesis) examines the research and creative processes that went into making several bodies of visual artwork during the author’s doctoral candidature. Broadly, the research and creative works presented are all concerned with issues of representation affecting non-Western subje...
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| Format: | Thesis |
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Curtin University
2019
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| Online Access: | http://hdl.handle.net/20.500.11937/77237 |
| _version_ | 1848763832417124352 |
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| author | Biglari Afshar, Fatemeh |
| author_facet | Biglari Afshar, Fatemeh |
| author_sort | Biglari Afshar, Fatemeh |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | This thesis (creative exegesis) examines the research and creative processes that went into making several bodies of visual artwork during the author’s doctoral candidature. Broadly, the research and creative works presented are all concerned with issues of representation affecting non-Western subjects—particularly women from Islamic cultural backgrounds—and the visual coding of identity or cultural difference in the works of such artists. |
| first_indexed | 2025-11-14T11:09:44Z |
| format | Thesis |
| id | curtin-20.500.11937-77237 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T11:09:44Z |
| publishDate | 2019 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-772372019-12-10T05:48:09Z Imaging the Margins: Representation and Identity in Visual Art Reflections Biglari Afshar, Fatemeh This thesis (creative exegesis) examines the research and creative processes that went into making several bodies of visual artwork during the author’s doctoral candidature. Broadly, the research and creative works presented are all concerned with issues of representation affecting non-Western subjects—particularly women from Islamic cultural backgrounds—and the visual coding of identity or cultural difference in the works of such artists. 2019 Thesis http://hdl.handle.net/20.500.11937/77237 Curtin University fulltext |
| spellingShingle | Biglari Afshar, Fatemeh Imaging the Margins: Representation and Identity in Visual Art Reflections |
| title | Imaging the Margins: Representation and Identity in Visual Art Reflections |
| title_full | Imaging the Margins: Representation and Identity in Visual Art Reflections |
| title_fullStr | Imaging the Margins: Representation and Identity in Visual Art Reflections |
| title_full_unstemmed | Imaging the Margins: Representation and Identity in Visual Art Reflections |
| title_short | Imaging the Margins: Representation and Identity in Visual Art Reflections |
| title_sort | imaging the margins: representation and identity in visual art reflections |
| url | http://hdl.handle.net/20.500.11937/77237 |