Our Dark Places: the shadows between public record, private lives and ethics in true crime–inspired fiction
My research project consists of a creative work and an exegesis. I Shot the Devil is a true crime–inspired fiction manuscript that melds memoir with fiction. My exegesis locates itself in debates surrounding feminism, representational politics and existing cultural historians’ enquiry into creative...
| Main Author: | |
|---|---|
| Format: | Thesis |
| Published: |
Curtin University
2019
|
| Online Access: | http://hdl.handle.net/20.500.11937/76190 |
| _version_ | 1848763638829023232 |
|---|---|
| author | McIver, Ruth |
| author_facet | McIver, Ruth |
| author_sort | McIver, Ruth |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | My research project consists of a creative work and an exegesis. I Shot the Devil is a true crime–inspired fiction manuscript that melds memoir with fiction. My exegesis locates itself in debates surrounding feminism, representational politics and existing cultural historians’ enquiry into creative responses to trauma and crime, via two autoethnographic essays. Both explore the ethical, ideological and epistemological issues surrounding the narrativised representation of marginalised subjects, including victims of crime. |
| first_indexed | 2025-11-14T11:06:39Z |
| format | Thesis |
| id | curtin-20.500.11937-76190 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T11:06:39Z |
| publishDate | 2019 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-761902021-09-24T00:28:24Z Our Dark Places: the shadows between public record, private lives and ethics in true crime–inspired fiction McIver, Ruth My research project consists of a creative work and an exegesis. I Shot the Devil is a true crime–inspired fiction manuscript that melds memoir with fiction. My exegesis locates itself in debates surrounding feminism, representational politics and existing cultural historians’ enquiry into creative responses to trauma and crime, via two autoethnographic essays. Both explore the ethical, ideological and epistemological issues surrounding the narrativised representation of marginalised subjects, including victims of crime. 2019 Thesis http://hdl.handle.net/20.500.11937/76190 Curtin University fulltext |
| spellingShingle | McIver, Ruth Our Dark Places: the shadows between public record, private lives and ethics in true crime–inspired fiction |
| title | Our Dark Places: the shadows between public record, private lives and ethics in true crime–inspired fiction |
| title_full | Our Dark Places: the shadows between public record, private lives and ethics in true crime–inspired fiction |
| title_fullStr | Our Dark Places: the shadows between public record, private lives and ethics in true crime–inspired fiction |
| title_full_unstemmed | Our Dark Places: the shadows between public record, private lives and ethics in true crime–inspired fiction |
| title_short | Our Dark Places: the shadows between public record, private lives and ethics in true crime–inspired fiction |
| title_sort | our dark places: the shadows between public record, private lives and ethics in true crime–inspired fiction |
| url | http://hdl.handle.net/20.500.11937/76190 |