Cinematic han and the Historical Film: South Korean Cinema and the Representation Of Korea’s Geopolitical Conflict in the Twentieth Century
A permanent Korean cultural aesthetic can be identified within South Korean historical cinema. By utilising a textual, historical and theoretical analysis methodology, this thesis examines South Korean films that depict Korean geopolitical conflict in the twentieth century to argue that this aesthet...
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| Format: | Thesis |
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Curtin University
2018
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| Online Access: | http://hdl.handle.net/20.500.11937/73578 |
| _version_ | 1848763048797405184 |
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| author | McMahon, Niall Edward Peter |
| author_facet | McMahon, Niall Edward Peter |
| author_sort | McMahon, Niall Edward Peter |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | A permanent Korean cultural aesthetic can be identified within South Korean historical cinema. By utilising a textual, historical and theoretical analysis methodology, this thesis examines South Korean films that depict Korean geopolitical conflict in the twentieth century to argue that this aesthetic, referred to as cinematic han, produces historical knowledge through the creation of symbolic links between the cinematic text and the context of its production. |
| first_indexed | 2025-11-14T10:57:16Z |
| format | Thesis |
| id | curtin-20.500.11937-73578 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T10:57:16Z |
| publishDate | 2018 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-735782019-02-11T06:49:54Z Cinematic han and the Historical Film: South Korean Cinema and the Representation Of Korea’s Geopolitical Conflict in the Twentieth Century McMahon, Niall Edward Peter A permanent Korean cultural aesthetic can be identified within South Korean historical cinema. By utilising a textual, historical and theoretical analysis methodology, this thesis examines South Korean films that depict Korean geopolitical conflict in the twentieth century to argue that this aesthetic, referred to as cinematic han, produces historical knowledge through the creation of symbolic links between the cinematic text and the context of its production. 2018 Thesis http://hdl.handle.net/20.500.11937/73578 Curtin University fulltext |
| spellingShingle | McMahon, Niall Edward Peter Cinematic han and the Historical Film: South Korean Cinema and the Representation Of Korea’s Geopolitical Conflict in the Twentieth Century |
| title | Cinematic han and the Historical Film: South Korean Cinema and the Representation Of Korea’s Geopolitical Conflict in the Twentieth Century |
| title_full | Cinematic han and the Historical Film: South Korean Cinema and the Representation Of Korea’s Geopolitical Conflict in the Twentieth Century |
| title_fullStr | Cinematic han and the Historical Film: South Korean Cinema and the Representation Of Korea’s Geopolitical Conflict in the Twentieth Century |
| title_full_unstemmed | Cinematic han and the Historical Film: South Korean Cinema and the Representation Of Korea’s Geopolitical Conflict in the Twentieth Century |
| title_short | Cinematic han and the Historical Film: South Korean Cinema and the Representation Of Korea’s Geopolitical Conflict in the Twentieth Century |
| title_sort | cinematic han and the historical film: south korean cinema and the representation of korea’s geopolitical conflict in the twentieth century |
| url | http://hdl.handle.net/20.500.11937/73578 |