Dissatisfaction and dissent in the transmodal performances of hip-hop artists in Mongolia
© The Author(s) 2018. The sociolinguistic practices of hip-hop artists in Mongolia can be understood as "transmodal” due to the combination of varied linguistic resources with other multiple modes such as the traditional elements and nationalistic symbols. In so doing, Mongolian hip-hop artists...
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| Format: | Book Chapter |
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Springer Nature
2018
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| Online Access: | http://hdl.handle.net/20.500.11937/71095 |
| _version_ | 1848762388438843392 |
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| author | Dovchin, Sender |
| author_facet | Dovchin, Sender |
| author_sort | Dovchin, Sender |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | © The Author(s) 2018. The sociolinguistic practices of hip-hop artists in Mongolia can be understood as "transmodal” due to the combination of varied linguistic resources with other multiple modes such as the traditional elements and nationalistic symbols. In so doing, Mongolian hip-hop artists utilize the vernacular of the genre as a means of expressing political dissatisfaction and dissent. They form patriotic identities by declaring their love and pride for their root and tradition. They are the harsh critics and the sarcastic satirists of social injustice and corruption of the political regime in Mongolia. |
| first_indexed | 2025-11-14T10:46:46Z |
| format | Book Chapter |
| id | curtin-20.500.11937-71095 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T10:46:46Z |
| publishDate | 2018 |
| publisher | Springer Nature |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-710952018-12-13T09:32:07Z Dissatisfaction and dissent in the transmodal performances of hip-hop artists in Mongolia Dovchin, Sender © The Author(s) 2018. The sociolinguistic practices of hip-hop artists in Mongolia can be understood as "transmodal” due to the combination of varied linguistic resources with other multiple modes such as the traditional elements and nationalistic symbols. In so doing, Mongolian hip-hop artists utilize the vernacular of the genre as a means of expressing political dissatisfaction and dissent. They form patriotic identities by declaring their love and pride for their root and tradition. They are the harsh critics and the sarcastic satirists of social injustice and corruption of the political regime in Mongolia. 2018 Book Chapter http://hdl.handle.net/20.500.11937/71095 10.1007/978-3-319-59244-2_8 Springer Nature restricted |
| spellingShingle | Dovchin, Sender Dissatisfaction and dissent in the transmodal performances of hip-hop artists in Mongolia |
| title | Dissatisfaction and dissent in the transmodal performances of hip-hop artists in Mongolia |
| title_full | Dissatisfaction and dissent in the transmodal performances of hip-hop artists in Mongolia |
| title_fullStr | Dissatisfaction and dissent in the transmodal performances of hip-hop artists in Mongolia |
| title_full_unstemmed | Dissatisfaction and dissent in the transmodal performances of hip-hop artists in Mongolia |
| title_short | Dissatisfaction and dissent in the transmodal performances of hip-hop artists in Mongolia |
| title_sort | dissatisfaction and dissent in the transmodal performances of hip-hop artists in mongolia |
| url | http://hdl.handle.net/20.500.11937/71095 |