Taboo

Taboo takes place in the present day, in the rural South-West of Western Australia, and tells the story of a group of Noongar people who revisit, for the first time in many decades, a taboo place: the site of a massacre that followed the assassination, by these Noongar's descendants, of a white...

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Main Author: Scott, Kim
Format: Non traditional textual works
Published: 2017
Online Access:http://hdl.handle.net/20.500.11937/67121
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author Scott, Kim
author_facet Scott, Kim
author_sort Scott, Kim
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description Taboo takes place in the present day, in the rural South-West of Western Australia, and tells the story of a group of Noongar people who revisit, for the first time in many decades, a taboo place: the site of a massacre that followed the assassination, by these Noongar's descendants, of a white man who had stolen a black woman. They come at the invitation of Dan Horton, the elderly owner of the farm on which the massacres unfolded. He hopes that by hosting the group he will satisfy his wife's dying wishes and cleanse some moral stain from the ground on which he and his family have lived for generations. But the sins of the past will not be so easily expunged. We walk with the ragtag group through this taboo country and note in them glimmers of re-connection with language, lore, country. We learn alongside them how countless generations of Noongar may have lived in ideal rapport with the land. This is a novel of survival and renewal, as much as destruction; and, ultimately, of hope as much as despair.
first_indexed 2025-11-14T10:32:21Z
format Non traditional textual works
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institution Curtin University Malaysia
institution_category Local University
last_indexed 2025-11-14T10:32:21Z
publishDate 2017
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spelling curtin-20.500.11937-671212019-11-08T03:23:48Z Taboo Scott, Kim Taboo takes place in the present day, in the rural South-West of Western Australia, and tells the story of a group of Noongar people who revisit, for the first time in many decades, a taboo place: the site of a massacre that followed the assassination, by these Noongar's descendants, of a white man who had stolen a black woman. They come at the invitation of Dan Horton, the elderly owner of the farm on which the massacres unfolded. He hopes that by hosting the group he will satisfy his wife's dying wishes and cleanse some moral stain from the ground on which he and his family have lived for generations. But the sins of the past will not be so easily expunged. We walk with the ragtag group through this taboo country and note in them glimmers of re-connection with language, lore, country. We learn alongside them how countless generations of Noongar may have lived in ideal rapport with the land. This is a novel of survival and renewal, as much as destruction; and, ultimately, of hope as much as despair. 2017 Non traditional textual works http://hdl.handle.net/20.500.11937/67121 restricted
spellingShingle Scott, Kim
Taboo
title Taboo
title_full Taboo
title_fullStr Taboo
title_full_unstemmed Taboo
title_short Taboo
title_sort taboo
url http://hdl.handle.net/20.500.11937/67121