Critical Anachronism: The recovery of the everyday in the context of Non-objective painting
This research specifically describes how a non-objective inspired painting practice can facilitate the innovation and expansion of knowledge in an area of under-examined cultural terrain, and specifically, what theories, materials and processes pertaining to the discourse of the everyday are best us...
| Main Author: | |
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| Format: | Thesis |
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Curtin University
2017
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| Online Access: | http://hdl.handle.net/20.500.11937/65945 |
| _version_ | 1848761234744147968 |
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| author | Spremberg, Alexander |
| author_facet | Spremberg, Alexander |
| author_sort | Spremberg, Alexander |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | This research specifically describes how a non-objective inspired painting practice can facilitate the innovation and expansion of knowledge in an area of under-examined cultural terrain, and specifically, what theories, materials and processes pertaining to the discourse of the everyday are best used to concretely investigate this context. Ultimately, the new concept of ‘critical anachronism’ as a form of artistic engagement is presented herein. |
| first_indexed | 2025-11-14T10:28:26Z |
| format | Thesis |
| id | curtin-20.500.11937-65945 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T10:28:26Z |
| publishDate | 2017 |
| publisher | Curtin University |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-659452018-02-23T06:37:46Z Critical Anachronism: The recovery of the everyday in the context of Non-objective painting Spremberg, Alexander This research specifically describes how a non-objective inspired painting practice can facilitate the innovation and expansion of knowledge in an area of under-examined cultural terrain, and specifically, what theories, materials and processes pertaining to the discourse of the everyday are best used to concretely investigate this context. Ultimately, the new concept of ‘critical anachronism’ as a form of artistic engagement is presented herein. 2017 Thesis http://hdl.handle.net/20.500.11937/65945 Curtin University fulltext |
| spellingShingle | Spremberg, Alexander Critical Anachronism: The recovery of the everyday in the context of Non-objective painting |
| title | Critical Anachronism: The recovery of the everyday in the context of Non-objective painting |
| title_full | Critical Anachronism: The recovery of the everyday in the context of Non-objective painting |
| title_fullStr | Critical Anachronism: The recovery of the everyday in the context of Non-objective painting |
| title_full_unstemmed | Critical Anachronism: The recovery of the everyday in the context of Non-objective painting |
| title_short | Critical Anachronism: The recovery of the everyday in the context of Non-objective painting |
| title_sort | critical anachronism: the recovery of the everyday in the context of non-objective painting |
| url | http://hdl.handle.net/20.500.11937/65945 |