Democratising the Arts: A Reappraisal of the Recent Case Study of the Live Relay from Brisbane of a Major Orchestral Performance to Audiences in Six Regional Queensland Venues
This brief paper is a response to a piece by Debra Beattie of Griffith University, ‘The Distribution of Knowledge as Cultural Content’: published in this journal (Vol. 9 Issue 3). Dr Beattie’s paper was presented as a case study of a ‘pilot’ project which I produced for the Queensland Performing Art...
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| Format: | Journal Article |
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Common Ground Publisher
2014
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| Online Access: | http://ijt.cgpublisher.com/product/pub.42/prod.975 http://hdl.handle.net/20.500.11937/6412 |
| _version_ | 1848745069083885568 |
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| author | Marshall, Robert |
| author_facet | Marshall, Robert |
| author_sort | Marshall, Robert |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | This brief paper is a response to a piece by Debra Beattie of Griffith University, ‘The Distribution of Knowledge as Cultural Content’: published in this journal (Vol. 9 Issue 3). Dr Beattie’s paper was presented as a case study of a ‘pilot’ project which I produced for the Queensland Performing Arts Centre (QPAC), Brisbane, in 2011: a live relay or narrow-cast (sometimes called a ‘Simulcast’) of a performance by the Vienna Philharmonic Orchestra (VPO) to six separate audiences in regional theatres across Queensland. I feel a response is required to correct a number of fundamental errors and misconceptions within Dr Beattie’s piece, not just for the sake this journal but because the errors badly misrepresent some of the most important international performing arts companies; and further, it provides an the opportunity to present a broader picture from which the reader might better appreciate the work being produced for the new digital platforms; that of bringing live performances from the world’s great performing arts companies to audiences in every corner of the globe. |
| first_indexed | 2025-11-14T06:11:29Z |
| format | Journal Article |
| id | curtin-20.500.11937-6412 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T06:11:29Z |
| publishDate | 2014 |
| publisher | Common Ground Publisher |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-64122017-02-28T01:30:42Z Democratising the Arts: A Reappraisal of the Recent Case Study of the Live Relay from Brisbane of a Major Orchestral Performance to Audiences in Six Regional Queensland Venues Marshall, Robert Cultural Content Arts Knowledge This brief paper is a response to a piece by Debra Beattie of Griffith University, ‘The Distribution of Knowledge as Cultural Content’: published in this journal (Vol. 9 Issue 3). Dr Beattie’s paper was presented as a case study of a ‘pilot’ project which I produced for the Queensland Performing Arts Centre (QPAC), Brisbane, in 2011: a live relay or narrow-cast (sometimes called a ‘Simulcast’) of a performance by the Vienna Philharmonic Orchestra (VPO) to six separate audiences in regional theatres across Queensland. I feel a response is required to correct a number of fundamental errors and misconceptions within Dr Beattie’s piece, not just for the sake this journal but because the errors badly misrepresent some of the most important international performing arts companies; and further, it provides an the opportunity to present a broader picture from which the reader might better appreciate the work being produced for the new digital platforms; that of bringing live performances from the world’s great performing arts companies to audiences in every corner of the globe. 2014 Journal Article http://hdl.handle.net/20.500.11937/6412 http://ijt.cgpublisher.com/product/pub.42/prod.975 Common Ground Publisher restricted |
| spellingShingle | Cultural Content Arts Knowledge Marshall, Robert Democratising the Arts: A Reappraisal of the Recent Case Study of the Live Relay from Brisbane of a Major Orchestral Performance to Audiences in Six Regional Queensland Venues |
| title | Democratising the Arts: A Reappraisal of the Recent Case Study of the Live Relay from Brisbane of a Major Orchestral Performance to Audiences in Six Regional Queensland Venues |
| title_full | Democratising the Arts: A Reappraisal of the Recent Case Study of the Live Relay from Brisbane of a Major Orchestral Performance to Audiences in Six Regional Queensland Venues |
| title_fullStr | Democratising the Arts: A Reappraisal of the Recent Case Study of the Live Relay from Brisbane of a Major Orchestral Performance to Audiences in Six Regional Queensland Venues |
| title_full_unstemmed | Democratising the Arts: A Reappraisal of the Recent Case Study of the Live Relay from Brisbane of a Major Orchestral Performance to Audiences in Six Regional Queensland Venues |
| title_short | Democratising the Arts: A Reappraisal of the Recent Case Study of the Live Relay from Brisbane of a Major Orchestral Performance to Audiences in Six Regional Queensland Venues |
| title_sort | democratising the arts: a reappraisal of the recent case study of the live relay from brisbane of a major orchestral performance to audiences in six regional queensland venues |
| topic | Cultural Content Arts Knowledge |
| url | http://ijt.cgpublisher.com/product/pub.42/prod.975 http://hdl.handle.net/20.500.11937/6412 |