Re-Wired/Re-Mixed: Event for Dismembered Body, Performance and interactive installation, Exhibited at: Radical Ecologies, Perth Institute of Contemporary Art, Perth, 3-7 August, 2016

We increasingly operate remotely online and across different time zones. This performance explores the sensory experience of a body fragmented and distributed physically, online and across time. The artist wore a head-up display, sound cancelling earphones and a robotic, exoskeleton arm, causing the...

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Bibliographic Details
Main Author: Stelarc, Stelarc
Format: Performance (Music, Theatre, Dance)
Published: 2017
Online Access:http://hdl.handle.net/20.500.11937/63479
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author Stelarc, Stelarc
author_facet Stelarc, Stelarc
author_sort Stelarc, Stelarc
building Curtin Institutional Repository
collection Online Access
description We increasingly operate remotely online and across different time zones. This performance explores the sensory experience of a body fragmented and distributed physically, online and across time. The artist wore a head-up display, sound cancelling earphones and a robotic, exoskeleton arm, causing the body to see through the eyes of someone in London, hear through the ears of someone in New York, while anyone, anywhere could access and choreograph his right arm. What constitutes embodiment, agency and identity become problematic.
first_indexed 2025-11-14T10:26:16Z
format Performance (Music, Theatre, Dance)
id curtin-20.500.11937-63479
institution Curtin University Malaysia
institution_category Local University
last_indexed 2025-11-14T10:26:16Z
publishDate 2017
recordtype eprints
repository_type Digital Repository
spelling curtin-20.500.11937-634792018-02-20T02:42:46Z Re-Wired/Re-Mixed: Event for Dismembered Body, Performance and interactive installation, Exhibited at: Radical Ecologies, Perth Institute of Contemporary Art, Perth, 3-7 August, 2016 Stelarc, Stelarc We increasingly operate remotely online and across different time zones. This performance explores the sensory experience of a body fragmented and distributed physically, online and across time. The artist wore a head-up display, sound cancelling earphones and a robotic, exoskeleton arm, causing the body to see through the eyes of someone in London, hear through the ears of someone in New York, while anyone, anywhere could access and choreograph his right arm. What constitutes embodiment, agency and identity become problematic. 2017 Performance (Music, Theatre, Dance) http://hdl.handle.net/20.500.11937/63479 restricted
spellingShingle Stelarc, Stelarc
Re-Wired/Re-Mixed: Event for Dismembered Body, Performance and interactive installation, Exhibited at: Radical Ecologies, Perth Institute of Contemporary Art, Perth, 3-7 August, 2016
title Re-Wired/Re-Mixed: Event for Dismembered Body, Performance and interactive installation, Exhibited at: Radical Ecologies, Perth Institute of Contemporary Art, Perth, 3-7 August, 2016
title_full Re-Wired/Re-Mixed: Event for Dismembered Body, Performance and interactive installation, Exhibited at: Radical Ecologies, Perth Institute of Contemporary Art, Perth, 3-7 August, 2016
title_fullStr Re-Wired/Re-Mixed: Event for Dismembered Body, Performance and interactive installation, Exhibited at: Radical Ecologies, Perth Institute of Contemporary Art, Perth, 3-7 August, 2016
title_full_unstemmed Re-Wired/Re-Mixed: Event for Dismembered Body, Performance and interactive installation, Exhibited at: Radical Ecologies, Perth Institute of Contemporary Art, Perth, 3-7 August, 2016
title_short Re-Wired/Re-Mixed: Event for Dismembered Body, Performance and interactive installation, Exhibited at: Radical Ecologies, Perth Institute of Contemporary Art, Perth, 3-7 August, 2016
title_sort re-wired/re-mixed: event for dismembered body, performance and interactive installation, exhibited at: radical ecologies, perth institute of contemporary art, perth, 3-7 august, 2016
url http://hdl.handle.net/20.500.11937/63479