Visualising the ends of identity: pre-birth and post-death on Instagram
© 2016 Informa UK Limited, trading as Taylor & Francis Group. This paper examines two ‘ends’ of identity online–birth and death–through the analytical lens of specific hashtags on the Instagram platform. These ends are examined in tandem in an attempt to surface commonalities in the way that i...
| Main Authors: | , |
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| Format: | Journal Article |
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Routledge
2018
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| Online Access: | http://hdl.handle.net/20.500.11937/63060 |
| _version_ | 1848760984003411968 |
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| author | Leaver, Tama Highfield, Tim |
| author_facet | Leaver, Tama Highfield, Tim |
| author_sort | Leaver, Tama |
| building | Curtin Institutional Repository |
| collection | Online Access |
| description | © 2016 Informa UK Limited, trading as Taylor & Francis Group. This paper examines two ‘ends’ of identity online–birth and death–through the analytical lens of specific hashtags on the Instagram platform. These ends are examined in tandem in an attempt to surface commonalities in the way that individuals use visual social media when sharing information about other people. A range of emerging norms in digital discourses about birth and death are uncovered, and it is significant that in both cases the individuals being talked about cannot reply for themselves. Issues of agency in representation therefore frame the analysis. After sorting through a number of entry points, images and videos with the #ultrasound and #funeral hashtags were tracked for three months in 2014. Ultrasound images and videos on Instagram revealed a range of communication and representation strategies, most highlighting social experiences and emotional peaks. There are, however, also significant privacy issues as a significant proportion of public accounts share personally identifiable metadata about the mother and unborn child, although these issue are not apparent in relation to funeral images. Unlike other social media platforms, grief on Instagram is found to be more about personal expressions of loss rather than affording spaces of collective commemoration. A range of related practices and themes, such as commerce and humour, were also documented as a part of the spectrum of activity on the Instagram platform. Norms specific to each collection emerged from this analysis, which are then compared to document research about other social media platforms, especially Facebook. |
| first_indexed | 2025-11-14T10:24:27Z |
| format | Journal Article |
| id | curtin-20.500.11937-63060 |
| institution | Curtin University Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-14T10:24:27Z |
| publishDate | 2018 |
| publisher | Routledge |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | curtin-20.500.11937-630602020-07-22T05:27:14Z Visualising the ends of identity: pre-birth and post-death on Instagram Leaver, Tama Highfield, Tim © 2016 Informa UK Limited, trading as Taylor & Francis Group. This paper examines two ‘ends’ of identity online–birth and death–through the analytical lens of specific hashtags on the Instagram platform. These ends are examined in tandem in an attempt to surface commonalities in the way that individuals use visual social media when sharing information about other people. A range of emerging norms in digital discourses about birth and death are uncovered, and it is significant that in both cases the individuals being talked about cannot reply for themselves. Issues of agency in representation therefore frame the analysis. After sorting through a number of entry points, images and videos with the #ultrasound and #funeral hashtags were tracked for three months in 2014. Ultrasound images and videos on Instagram revealed a range of communication and representation strategies, most highlighting social experiences and emotional peaks. There are, however, also significant privacy issues as a significant proportion of public accounts share personally identifiable metadata about the mother and unborn child, although these issue are not apparent in relation to funeral images. Unlike other social media platforms, grief on Instagram is found to be more about personal expressions of loss rather than affording spaces of collective commemoration. A range of related practices and themes, such as commerce and humour, were also documented as a part of the spectrum of activity on the Instagram platform. Norms specific to each collection emerged from this analysis, which are then compared to document research about other social media platforms, especially Facebook. 2018 Journal Article http://hdl.handle.net/20.500.11937/63060 10.1080/1369118X.2016.1259343 Routledge restricted |
| spellingShingle | Leaver, Tama Highfield, Tim Visualising the ends of identity: pre-birth and post-death on Instagram |
| title | Visualising the ends of identity: pre-birth and post-death on Instagram |
| title_full | Visualising the ends of identity: pre-birth and post-death on Instagram |
| title_fullStr | Visualising the ends of identity: pre-birth and post-death on Instagram |
| title_full_unstemmed | Visualising the ends of identity: pre-birth and post-death on Instagram |
| title_short | Visualising the ends of identity: pre-birth and post-death on Instagram |
| title_sort | visualising the ends of identity: pre-birth and post-death on instagram |
| url | http://hdl.handle.net/20.500.11937/63060 |