George Johnston’s Tibetan interlude—myth and reality in Shangri-La

In 1945 Australian war correspondent and later novelist George Johnston undertook a journey on the Tibetan Plateau with fellow American correspondent James Burke. Johnston later wrote about this adventure in his memoir Journey Through Tomorrow (1947) as part of a wider account of his travels in Asia...

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Main Authors: Genoni, Paul, Dalziell, T.
Format: Journal Article
Published: 2017
Online Access:http://hdl.handle.net/20.500.11937/61870
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author Genoni, Paul
Dalziell, T.
author_facet Genoni, Paul
Dalziell, T.
author_sort Genoni, Paul
building Curtin Institutional Repository
collection Online Access
description In 1945 Australian war correspondent and later novelist George Johnston undertook a journey on the Tibetan Plateau with fellow American correspondent James Burke. Johnston later wrote about this adventure in his memoir Journey Through Tomorrow (1947) as part of a wider account of his travels in Asia during the Second World War. This paper considers the Tibetan section of his narrative with a focus on the influence of English novelist James Hilton’s Lost Horizon, with its depiction of a Tibetan utopia in the form of the lamasery of Shangri-La. In doing so the paper considers Johnston’s text as an example of the challenge faced by travel writers in negotiating the territory between myth and reality in representing the ‘truth’ of their experience, and as a narrative that avoids the worst of the orientalising traits of many other traveller’s accounts of Tibet.
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spelling curtin-20.500.11937-618702018-02-01T05:20:22Z George Johnston’s Tibetan interlude—myth and reality in Shangri-La Genoni, Paul Dalziell, T. In 1945 Australian war correspondent and later novelist George Johnston undertook a journey on the Tibetan Plateau with fellow American correspondent James Burke. Johnston later wrote about this adventure in his memoir Journey Through Tomorrow (1947) as part of a wider account of his travels in Asia during the Second World War. This paper considers the Tibetan section of his narrative with a focus on the influence of English novelist James Hilton’s Lost Horizon, with its depiction of a Tibetan utopia in the form of the lamasery of Shangri-La. In doing so the paper considers Johnston’s text as an example of the challenge faced by travel writers in negotiating the territory between myth and reality in representing the ‘truth’ of their experience, and as a narrative that avoids the worst of the orientalising traits of many other traveller’s accounts of Tibet. 2017 Journal Article http://hdl.handle.net/20.500.11937/61870 restricted
spellingShingle Genoni, Paul
Dalziell, T.
George Johnston’s Tibetan interlude—myth and reality in Shangri-La
title George Johnston’s Tibetan interlude—myth and reality in Shangri-La
title_full George Johnston’s Tibetan interlude—myth and reality in Shangri-La
title_fullStr George Johnston’s Tibetan interlude—myth and reality in Shangri-La
title_full_unstemmed George Johnston’s Tibetan interlude—myth and reality in Shangri-La
title_short George Johnston’s Tibetan interlude—myth and reality in Shangri-La
title_sort george johnston’s tibetan interlude—myth and reality in shangri-la
url http://hdl.handle.net/20.500.11937/61870