The Red Sister-in-Law Remakes: Redefining the "Fish-and-Water Relationships for the Era of Reform and Opening

Ode to Yimeng (Yingmeng Song), a major ballet production created in May 1974, was based on the novel of Red Sister-in-Law (Hongsao). It is one of Red Classics that deals with revolutionary “base area,” and in essence, about how Communist Party won the support of the subaltern, the backbone of the Ch...

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Main Authors: Gong, Q., Gong, Qian
Format: Book Chapter
Published: 2017
Online Access:http://hdl.handle.net/20.500.11937/57755
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author Gong, Q.
Gong, Qian
author_facet Gong, Q.
Gong, Qian
author_sort Gong, Q.
building Curtin Institutional Repository
collection Online Access
description Ode to Yimeng (Yingmeng Song), a major ballet production created in May 1974, was based on the novel of Red Sister-in-Law (Hongsao). It is one of Red Classics that deals with revolutionary “base area,” and in essence, about how Communist Party won the support of the subaltern, the backbone of the Chinese society at a tipping point of modern Chinese history, when CCP triumphed over the Nationalist army. The story of heroine, Sister-in-Law Ying, who saved a seriously wounded Communist soldier with her breast milk and nurtured him back to life, was once metaphoric and metonymic of the symbiotic relationships between army and the people. This paper argues that the post-Mao remake in the format of television drama has significantly re-defined the essence of the “fish-and-water” relationship in the spirit of traditional Chinese values and, in particular, Confucian values.
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spelling curtin-20.500.11937-577552017-11-20T08:48:49Z The Red Sister-in-Law Remakes: Redefining the "Fish-and-Water Relationships for the Era of Reform and Opening Gong, Q. Gong, Qian Ode to Yimeng (Yingmeng Song), a major ballet production created in May 1974, was based on the novel of Red Sister-in-Law (Hongsao). It is one of Red Classics that deals with revolutionary “base area,” and in essence, about how Communist Party won the support of the subaltern, the backbone of the Chinese society at a tipping point of modern Chinese history, when CCP triumphed over the Nationalist army. The story of heroine, Sister-in-Law Ying, who saved a seriously wounded Communist soldier with her breast milk and nurtured him back to life, was once metaphoric and metonymic of the symbiotic relationships between army and the people. This paper argues that the post-Mao remake in the format of television drama has significantly re-defined the essence of the “fish-and-water” relationship in the spirit of traditional Chinese values and, in particular, Confucian values. 2017 Book Chapter http://hdl.handle.net/20.500.11937/57755 restricted
spellingShingle Gong, Q.
Gong, Qian
The Red Sister-in-Law Remakes: Redefining the "Fish-and-Water Relationships for the Era of Reform and Opening
title The Red Sister-in-Law Remakes: Redefining the "Fish-and-Water Relationships for the Era of Reform and Opening
title_full The Red Sister-in-Law Remakes: Redefining the "Fish-and-Water Relationships for the Era of Reform and Opening
title_fullStr The Red Sister-in-Law Remakes: Redefining the "Fish-and-Water Relationships for the Era of Reform and Opening
title_full_unstemmed The Red Sister-in-Law Remakes: Redefining the "Fish-and-Water Relationships for the Era of Reform and Opening
title_short The Red Sister-in-Law Remakes: Redefining the "Fish-and-Water Relationships for the Era of Reform and Opening
title_sort red sister-in-law remakes: redefining the "fish-and-water relationships for the era of reform and opening
url http://hdl.handle.net/20.500.11937/57755