Body on Machine Arm, performance, Exhibited at: Lorne Sculpture Biennale, on the foreshore at Swing Bridge, Lorne, Australia, 26 March 2016

The body is an object among other interacting objects. The body performs physical acts and creates relationships between objects, generating meaning and significance. Body on Machine Arm continues the artist’s research into the relationship between human bodies and technology. Self, agency and ident...

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Bibliographic Details
Main Author: Stelarc, Stelarc
Format: Performance (Music, Theatre, Dance)
Published: 2016
Online Access:http://hdl.handle.net/20.500.11937/55188
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author Stelarc, Stelarc
author_facet Stelarc, Stelarc
author_sort Stelarc, Stelarc
building Curtin Institutional Repository
collection Online Access
description The body is an object among other interacting objects. The body performs physical acts and creates relationships between objects, generating meaning and significance. Body on Machine Arm continues the artist’s research into the relationship between human bodies and technology. Self, agency and identity are unsettled and made ambivalent in increasingly liminal zones of operation and interface with machinic entities that move the body in unexpected ways. The performance at the Lorne Sculpture Biennale explored the body as a component of a larger system of machines, presenting a kind of flattened ontology which does not assert the primacy of the human.
first_indexed 2025-11-14T10:01:47Z
format Performance (Music, Theatre, Dance)
id curtin-20.500.11937-55188
institution Curtin University Malaysia
institution_category Local University
last_indexed 2025-11-14T10:01:47Z
publishDate 2016
recordtype eprints
repository_type Digital Repository
spelling curtin-20.500.11937-551882017-08-24T02:17:24Z Body on Machine Arm, performance, Exhibited at: Lorne Sculpture Biennale, on the foreshore at Swing Bridge, Lorne, Australia, 26 March 2016 Stelarc, Stelarc The body is an object among other interacting objects. The body performs physical acts and creates relationships between objects, generating meaning and significance. Body on Machine Arm continues the artist’s research into the relationship between human bodies and technology. Self, agency and identity are unsettled and made ambivalent in increasingly liminal zones of operation and interface with machinic entities that move the body in unexpected ways. The performance at the Lorne Sculpture Biennale explored the body as a component of a larger system of machines, presenting a kind of flattened ontology which does not assert the primacy of the human. 2016 Performance (Music, Theatre, Dance) http://hdl.handle.net/20.500.11937/55188 restricted
spellingShingle Stelarc, Stelarc
Body on Machine Arm, performance, Exhibited at: Lorne Sculpture Biennale, on the foreshore at Swing Bridge, Lorne, Australia, 26 March 2016
title Body on Machine Arm, performance, Exhibited at: Lorne Sculpture Biennale, on the foreshore at Swing Bridge, Lorne, Australia, 26 March 2016
title_full Body on Machine Arm, performance, Exhibited at: Lorne Sculpture Biennale, on the foreshore at Swing Bridge, Lorne, Australia, 26 March 2016
title_fullStr Body on Machine Arm, performance, Exhibited at: Lorne Sculpture Biennale, on the foreshore at Swing Bridge, Lorne, Australia, 26 March 2016
title_full_unstemmed Body on Machine Arm, performance, Exhibited at: Lorne Sculpture Biennale, on the foreshore at Swing Bridge, Lorne, Australia, 26 March 2016
title_short Body on Machine Arm, performance, Exhibited at: Lorne Sculpture Biennale, on the foreshore at Swing Bridge, Lorne, Australia, 26 March 2016
title_sort body on machine arm, performance, exhibited at: lorne sculpture biennale, on the foreshore at swing bridge, lorne, australia, 26 march 2016
url http://hdl.handle.net/20.500.11937/55188