Night Bus: a short film screenplay

Night bus is a creative exploration of relationship between the screenplay, affect and bodies. The short film script sees a re-imagining of contemporary, real life events to produce a dramatic narrative concerned with themes of public violence, individual intervention and responsibility. Following o...

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Bibliographic Details
Main Author: Dooley, Kath
Format: Non traditional textual works
Published: 2015
Online Access:http://www.textjournal.com.au/speciss/issue29/Dooley.pdf
http://hdl.handle.net/20.500.11937/46591
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author Dooley, Kath
author_facet Dooley, Kath
author_sort Dooley, Kath
building Curtin Institutional Repository
collection Online Access
description Night bus is a creative exploration of relationship between the screenplay, affect and bodies. The short film script sees a re-imagining of contemporary, real life events to produce a dramatic narrative concerned with themes of public violence, individual intervention and responsibility. Following on from research into the affective dimensions of cinema, this has been written as a means to explore the conditions that encourage the production of bodily sensation at a conscious and unconscious level within the screenplay itself. I have sought an answer to the question of how the screenwriter’s description of material gives rise to a visceral response in the reader, which may also be reflected in a resulting film text. My screenwriting focuses on the creative use of narrative content and the description of aesthetic dimensions such as colour, light, sound, movement, rhythm and texture to affect the reader.
first_indexed 2025-11-14T09:30:42Z
format Non traditional textual works
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institution Curtin University Malaysia
institution_category Local University
last_indexed 2025-11-14T09:30:42Z
publishDate 2015
recordtype eprints
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spelling curtin-20.500.11937-465912018-05-01T06:13:22Z Night Bus: a short film screenplay Dooley, Kath Night bus is a creative exploration of relationship between the screenplay, affect and bodies. The short film script sees a re-imagining of contemporary, real life events to produce a dramatic narrative concerned with themes of public violence, individual intervention and responsibility. Following on from research into the affective dimensions of cinema, this has been written as a means to explore the conditions that encourage the production of bodily sensation at a conscious and unconscious level within the screenplay itself. I have sought an answer to the question of how the screenwriter’s description of material gives rise to a visceral response in the reader, which may also be reflected in a resulting film text. My screenwriting focuses on the creative use of narrative content and the description of aesthetic dimensions such as colour, light, sound, movement, rhythm and texture to affect the reader. 2015 Non traditional textual works http://hdl.handle.net/20.500.11937/46591 http://www.textjournal.com.au/speciss/issue29/Dooley.pdf restricted
spellingShingle Dooley, Kath
Night Bus: a short film screenplay
title Night Bus: a short film screenplay
title_full Night Bus: a short film screenplay
title_fullStr Night Bus: a short film screenplay
title_full_unstemmed Night Bus: a short film screenplay
title_short Night Bus: a short film screenplay
title_sort night bus: a short film screenplay
url http://www.textjournal.com.au/speciss/issue29/Dooley.pdf
http://hdl.handle.net/20.500.11937/46591