The tyranny of distance: Viability and relevance in regional live music performance

Before the development of audio recording technologies, music was performed 'live' to an audience. As the most primal way to experience music, live music performances remain a popular social activity, and yet in many respects live music is under threat. This paper draws together two recent...

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Bibliographic Details
Main Authors: Ballico, C., Bennett, Dawn
Format: Journal Article
Published: University of Melbourne 2010
Subjects:
Online Access:http://hdl.handle.net/20.500.11937/44321
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author Ballico, C.
Bennett, Dawn
author_facet Ballico, C.
Bennett, Dawn
author_sort Ballico, C.
building Curtin Institutional Repository
collection Online Access
description Before the development of audio recording technologies, music was performed 'live' to an audience. As the most primal way to experience music, live music performances remain a popular social activity, and yet in many respects live music is under threat. This paper draws together two recent research projects on live music and regulation in Western Australia. The findings suggest that high costs, limited returns and current funding strategies inhibit the ability of regional areas to create live music opportunities and, in turn, the ability of musicians to develop regional audiences and work with communities. Implications include the need to review funding strategies so that intra-state touring and community engagement are considered alongside the usual inter-state and international activities; formalised touring circuits and networks of stakeholders are established; and musicians are encouraged to engage with communities beyond performance, creating additional activities during an otherwise reduced working week.
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spelling curtin-20.500.11937-443212017-01-30T15:13:21Z The tyranny of distance: Viability and relevance in regional live music performance Ballico, C. Bennett, Dawn touring Live original music regional Western Australia Before the development of audio recording technologies, music was performed 'live' to an audience. As the most primal way to experience music, live music performances remain a popular social activity, and yet in many respects live music is under threat. This paper draws together two recent research projects on live music and regulation in Western Australia. The findings suggest that high costs, limited returns and current funding strategies inhibit the ability of regional areas to create live music opportunities and, in turn, the ability of musicians to develop regional audiences and work with communities. Implications include the need to review funding strategies so that intra-state touring and community engagement are considered alongside the usual inter-state and international activities; formalised touring circuits and networks of stakeholders are established; and musicians are encouraged to engage with communities beyond performance, creating additional activities during an otherwise reduced working week. 2010 Journal Article http://hdl.handle.net/20.500.11937/44321 University of Melbourne fulltext
spellingShingle touring
Live original music
regional Western Australia
Ballico, C.
Bennett, Dawn
The tyranny of distance: Viability and relevance in regional live music performance
title The tyranny of distance: Viability and relevance in regional live music performance
title_full The tyranny of distance: Viability and relevance in regional live music performance
title_fullStr The tyranny of distance: Viability and relevance in regional live music performance
title_full_unstemmed The tyranny of distance: Viability and relevance in regional live music performance
title_short The tyranny of distance: Viability and relevance in regional live music performance
title_sort tyranny of distance: viability and relevance in regional live music performance
topic touring
Live original music
regional Western Australia
url http://hdl.handle.net/20.500.11937/44321