'Chinese' Indonesians in National Cinema

Through much of post-colonial history and particularly during the so-called 'New Order' (under General Suharto), Indonesian citizens of ethnic Chinese descent have been caught in a strangely ambiguous position: they have enjoyed enormous economic power while at the same time being threaten...

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Main Author: Sen, Krishna
Format: Journal Article
Published: Routledge, part of the Taylor & Francis Group 2006
Subjects:
Online Access:http://www.informaworld.com/openurl?genre=article&id=doi:10.1080/14649370500463877
http://hdl.handle.net/20.500.11937/41399
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author Sen, Krishna
author_facet Sen, Krishna
author_sort Sen, Krishna
building Curtin Institutional Repository
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description Through much of post-colonial history and particularly during the so-called 'New Order' (under General Suharto), Indonesian citizens of ethnic Chinese descent have been caught in a strangely ambiguous position: they have enjoyed enormous economic power while at the same time being threatened with politico-cultural effacement. This paper is an attempt to understand that ambiguity in relation to the Indonesian cinema both around questions of industry history and around issues of representation of national and ethnic identity on screen. The paper traces the presence, the erasure and the absent-presence of Indonesia's ethnic Chinese minority from the establishment of a film industry in Indonesia in the 1930s to the post-New Order political shifts, opening up possibilities for a new public discourse of Chineseness. I argue however that the openness of current Indonesian culture and politics while providing the necessary condition for re-imagining the Chinese Indonesians, does not ensure a radical shift in a politics of representation, deeply embedded in the textual practices of the film industry and more widely in cultural and political history of modern Indonesia.
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spelling curtin-20.500.11937-413992019-02-19T04:26:40Z 'Chinese' Indonesians in National Cinema Sen, Krishna politics film industry cinema Indonesia citizenship ethnicity Chinese Indonesians Through much of post-colonial history and particularly during the so-called 'New Order' (under General Suharto), Indonesian citizens of ethnic Chinese descent have been caught in a strangely ambiguous position: they have enjoyed enormous economic power while at the same time being threatened with politico-cultural effacement. This paper is an attempt to understand that ambiguity in relation to the Indonesian cinema both around questions of industry history and around issues of representation of national and ethnic identity on screen. The paper traces the presence, the erasure and the absent-presence of Indonesia's ethnic Chinese minority from the establishment of a film industry in Indonesia in the 1930s to the post-New Order political shifts, opening up possibilities for a new public discourse of Chineseness. I argue however that the openness of current Indonesian culture and politics while providing the necessary condition for re-imagining the Chinese Indonesians, does not ensure a radical shift in a politics of representation, deeply embedded in the textual practices of the film industry and more widely in cultural and political history of modern Indonesia. 2006 Journal Article http://hdl.handle.net/20.500.11937/41399 http://www.informaworld.com/openurl?genre=article&id=doi:10.1080/14649370500463877 Routledge, part of the Taylor & Francis Group fulltext
spellingShingle politics
film industry
cinema
Indonesia
citizenship
ethnicity
Chinese Indonesians
Sen, Krishna
'Chinese' Indonesians in National Cinema
title 'Chinese' Indonesians in National Cinema
title_full 'Chinese' Indonesians in National Cinema
title_fullStr 'Chinese' Indonesians in National Cinema
title_full_unstemmed 'Chinese' Indonesians in National Cinema
title_short 'Chinese' Indonesians in National Cinema
title_sort 'chinese' indonesians in national cinema
topic politics
film industry
cinema
Indonesia
citizenship
ethnicity
Chinese Indonesians
url http://www.informaworld.com/openurl?genre=article&id=doi:10.1080/14649370500463877
http://hdl.handle.net/20.500.11937/41399