Dead Exposures: Trophy Bodies and Violent Visibilities of the Nonhuman

The abject or monstrous body of the killed or tortured nonhuman is evoked throughout Pugliese’s State Violence and the Execution of Law and is critical to the series of carceral and genocidal caesurae that the book so incisively maps. This essay tracks a set of iconological/representational and geop...

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Main Author: Perera, Suvendrini
Format: Journal Article
Published: Borderlands 2014
Online Access:http://www.borderlands.net.au/Vol13No1_2014/perera_exposures.pdf
http://hdl.handle.net/20.500.11937/4074
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author Perera, Suvendrini
author_facet Perera, Suvendrini
author_sort Perera, Suvendrini
building Curtin Institutional Repository
collection Online Access
description The abject or monstrous body of the killed or tortured nonhuman is evoked throughout Pugliese’s State Violence and the Execution of Law and is critical to the series of carceral and genocidal caesurae that the book so incisively maps. This essay tracks a set of iconological/representational and geopolitical/ideological forces as they intersect the trophy body of the tortured or killed non-human. From Indonesia in 1965 to colonial Kenya and the civil war in SriLanka, the essay considers the violent ramifications of the trophybodies of Abu Ghraib and their symbolic, ideological and affective refractions across other spaces, sites, temporalities and bodies, as well as the counter-visibilities, re-mediations and cultural politics to which they give rise.
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spelling curtin-20.500.11937-40742017-01-30T10:36:22Z Dead Exposures: Trophy Bodies and Violent Visibilities of the Nonhuman Perera, Suvendrini The abject or monstrous body of the killed or tortured nonhuman is evoked throughout Pugliese’s State Violence and the Execution of Law and is critical to the series of carceral and genocidal caesurae that the book so incisively maps. This essay tracks a set of iconological/representational and geopolitical/ideological forces as they intersect the trophy body of the tortured or killed non-human. From Indonesia in 1965 to colonial Kenya and the civil war in SriLanka, the essay considers the violent ramifications of the trophybodies of Abu Ghraib and their symbolic, ideological and affective refractions across other spaces, sites, temporalities and bodies, as well as the counter-visibilities, re-mediations and cultural politics to which they give rise. 2014 Journal Article http://hdl.handle.net/20.500.11937/4074 http://www.borderlands.net.au/Vol13No1_2014/perera_exposures.pdf Borderlands fulltext
spellingShingle Perera, Suvendrini
Dead Exposures: Trophy Bodies and Violent Visibilities of the Nonhuman
title Dead Exposures: Trophy Bodies and Violent Visibilities of the Nonhuman
title_full Dead Exposures: Trophy Bodies and Violent Visibilities of the Nonhuman
title_fullStr Dead Exposures: Trophy Bodies and Violent Visibilities of the Nonhuman
title_full_unstemmed Dead Exposures: Trophy Bodies and Violent Visibilities of the Nonhuman
title_short Dead Exposures: Trophy Bodies and Violent Visibilities of the Nonhuman
title_sort dead exposures: trophy bodies and violent visibilities of the nonhuman
url http://www.borderlands.net.au/Vol13No1_2014/perera_exposures.pdf
http://hdl.handle.net/20.500.11937/4074